Monthly Archives: September, 2009

SO, you`ve completed the Jamorama course and it`s time to get down to business and waltz through that White Stripes audition like the neck-burning, fret-ripping master of neo-vintage guitar coolness you have now become and give Jack White a good old run for his money. After all it`s about time they hired some new blood for the Seven Nation Army.

Una momento!

Just one problemo amigo!!

All you’ve got is a crummy old Teisco amplifier and a piece of nylon string driftwood that washed ashore in a local dumpster, by the winos under the bridge. You also know that The Stripes have got more coolness than a field of refridgerators on the dark side of the moon……..

Here is the ultimate in retro cool an Ultra Rare Original Red Tolex 1970 Marshall Half Stack. An all original 1970 Marshall Super Tremolo 100w head & matching cabinet in factory original red levant covering  in superb collectors grade condition and a must have for any serious Marshall amp collector. This amp has been owned by the same person from new since being originally purchased in 1970 in Lancashire England and as far as is known nothing has been done to the amp at all. The serial number dates it to 1969 but the tag board is dated 1970 and the cabinet has the original highly desirable Pre Rola Celestian G12M25 speakers. If you know old Marshalls then you do not need me to tell you that this amp sounds nothing short of incredible and has all the vibe and mojo that anyone would need out of a vintage Marshall.

Only 6 grand in British Sterling.

And, finally for more credibility than you can shake a stick at here is Johnny Ramones’ actual stage used 1960’s red Mosrite guitar that was in use between 1983 and 1988. It is the only Mosrite that he played in this color during his entire time in The Ramones and one of the few remaining guitars whose whereabouts are known. This is definitely a once in a lifetime opportunity to own an authentic piece of rock ‘n roll history from the Godfathers of punk: The Ramones.

ramone Marshall 1970 rarity

A snip at $35,000 U.S.

Well, That`s all folks,
Cheers…

Jake Edwards

Australian artist Josh Pyke has had a huge Maton guitar commissioned for his latest album release. It looks like it’s going to be a a bit of nightmare to actually play but if there`s biblical flood on the way then Josh will be just fine. I know the boys have got a Maton in the office but I`m as sure as ice that they`ll be cheesed off if I try and use it in the swimming pool.

If you aren’t interested in acoustic playing here`s a huge flying V that just might float your boat!

After the nuclear war there will only be cockroaches and Keith Richards!! So let`s get practicing…with  some general tips that you oughta bear in mind when you want to get all Zen on your fretboard.

1. Cultivate a desire to try and achieve excellence. But do so on your own terms!
When your lazy friends are down at the bar setting the world to rights you could stay at home beginning a journey to set either your own world on fire, or, even set the real world on fire. Progression naturally requires a level of dedication but don’t kill yourself – find the pace that suits you . It is NOT a race, just a journey. Excellence does not necessarily equate with conventional ideas of virtuosity – you may want to cultivate your skills as songwriter like Noel Gallagher or George Harrison for example. If you aren’t sure in which direction you`d like to go just watch the river flow – it`s no big deal.

2. Set yourself goals  – both  sensible  & unattainable.

Set yourself some goals and schedule your practice and try to STICK to IT.
Perhaps consider two goals:

A.
An aspirational one such as becoming as good as Jeff Beck (insert your favourite guitar maestro here) but also,

B.
A realistic, realtime short term goal:
for example “In six months I will be able to play Johnny B. Goode by Chuck Berry”.
Remember though it’s the journey not the destination that counts, a guitar is for life not just for Christmas if you want to go anywhere with it.

Don`t use your aspirational goal to beat yourself about though. Expecting to be able to play like (insert your favourite guitar maestro here) is akin to expecting to replicate the Cistine Chapel Ceiling on the interior of a ping pong ball – it’s a long hard difficult road walked only by those with a unique, god-given gift…you CAN begin to unlock that gift in even the smallest ways.

3. Find an environment that really works for you.

It may be outside beneath your favourite weeping willow or it may be in  a quiet corner of your barn – make it as comfortable and as appealing as possible with few, or no distractions or interruptions.
If you can and you are serious about progression try to practice alone in a silent area. Also get the right chair, I`ll sometimes find myself thirty minutes into a jam session only to realise  I`m curled up like a pretzel with a `dead` leg that feels like someone else’s! …no good man!

4. Make it easy…

…as the playing will initially be hard enough make it easy by using the tools that help. Buy the best guitar you can, buy a decent tuner and invest in learning materials that suit where you want to take your playing. Read this blog for more advice on the learning tools available. There is a veritable cornucopia of new digital practice tools such as the Ovation iDea guitar,  the Fretlight guitars, Loopstation pedal or Fender G-Dec amplifier.

5. Develop Routines and excercises

Start off with an easy rewarding warm up work before moving onto your structured learning path (or course) – this may be a couple of songs you really enjoy, so write them down,  and maybe singalong if it helps you relax. When you fist begin to play you may find a great deal of tension in your wrists, fingers and arms; try to learn to relax – it may take some time to lose that whole “stiff as a board”, heavy feeling but it will ultimately pass.

Remember to breathe properly and don’t fight the guitar – relax INTO it; if that makes sense.

If you are finding the wealth of learning materials at your disposal somewhat confusing, if you’re finding it hard to join all the dots don’t fret – take a step back and relax. Everything is interrelated and will ultimately become clear. There is no one method, way or route. Frustration will be gnawing away at your toes like a hungry dog – use it as fuel to try and figure things out.

If you are struggling to figure out musical theory then have a look at playing a piano because the piano keyboard is in a sense one single long guitar string and may help you clarify some of the more confusing parts of musical theory.

Piano+Keyboard+with+Letters ZEN guitar Practice.Another idea is to write, or using stickers the actual corresponding notes along the top of your guitar neck; and maybe on the fretboard itself using marker pen. Only do this if you are happy with bastardising your guitar…

6. Join a band – the fastest way to learn is from other more competent players. Use your ears and your eyes, ask questions, never be intimidated. EVERYONE was once a beginner and it’s a healthy tenet to try to always consider yourself a beginner, no matter how good you may be because there is no end to the guitar – it’s an infinite lifestyle decision.

7. It`s never too late to start and whatever happens don’t give up. If David Geffen isn’t ringing you up don`t worry. The journey is usually far more interesting than the destination anyway.

8. Make mistakes and every now and then try stuff well outside your usual playing boundaries. Experiment as much as possible and try unusual positions. Try sliding chords around or even moving them across the strings. Be unusual, be unique, be yourself, break the rules, do what you want.

9. If your fingers, hands and wrists are hurting then stop awhile and rest.]

10. Enjoy using effects and guitar toys but don’t fall into the trap of letting them do all the playing for you – one day you`ll  want to be at the stage where you compliment the effects and not vice versa.

11. Reward yourself afterwards with something you enjoy like “icecream”.

12. Try and listen to the right records for a start but don’t limit yourself to the world of guitar. Choose your poison for example  saxophonists Sonny Rollins, Roland Kirk and Miles Davis play some fantastic lead lines.

13. Adopt a meditational approach to your playing.

The nature of sound is infinitely associated with consciousness and there are interesting listening exercises you can perform.

Acoustically, a note perceived to have a single distinct pitch in fact contains a variety of additional overtones.

If you listen very carefully to just one note and work hard to train your ear you will begin to hear more than just the fundamental – try spending some time just playing single notes – what you hear most clearly is the fundamental (sometimes called the first harmonic) but it is accompanied by several frequencies known as partials, by several harmonics, overtones and undertones – try and hear them. You’ll need to concentrate though.  Some people like to think synaesthetically whilst playing and try to see different notes or chords  as different colours.

If you would actually like to experiment with sound colour have a look at

1. Metasynth – mindblowingingly powerful sound painting tool

2. Audio paint – FREE

Have a look at the book “Zen Guitar” by Philip Toshio Sudo – it’s about motivation and fulfillment, not technique.

14. Most importantly – make sure it’s fun.

I hope that this helps you to create an environment where you can engage with your guitar in a more philosophical sense and in a way that will inform and aid your learning – after all when you stretch that string you’re stretching your life!

Cheers,

Jake Edwards

pulp fiction jules Gourmet Guitar Strings

“Goddamn Jimmy, that’s some serious gourmet s**t!” Jules (Pulp Fiction)

In an industry that is, according to some, rapidly becoming mechanised it comes as no surprise to find that at least one company still produces affordable guitar strings by HAND. Yes, its true, by hand.

Approximately  85%+ of a guitar’s tone comes from the strings – the guitar itself only colours the basic tone created by the strings. The grooves in a roundwound string provide most of the upper order harmonics which are percieved as the brilliance and the attack – this is why a flatwound string has a more dull sound. As a string gets older these grooves fill in with dirt and through corrosion or wear and tear the string will loses most of its brilliance over time.

cocco 300x230 Gourmet Guitar Strings

Up until the Second World War animal gut and silk were the materials from which guitar strings were manufactured. Albert Augustine, an instrument maker from New York, USA, was the first to produce guitar strings in Nylon. Augustine organised a blind test with company representatives from DuPont and they happened to choose nylon over gut as having the best sound. The DuPont company then supported Augustine’s initiative. When Andrés Segovia, the great Spanish guitar virtuoso, discovered Augustine’s strings he was an immediate convert

Richard Cocco Senior was born in Italy and came to the United States of America in 1951. Richard entered the string manufacturing business at the time when the first electric bass guitars were introduced. Fascinated by this new instrument, he developed the Cocco method of hand winding to make new strings which proved to be so fine that some of his first customers were America’s legendary electric bass guitar inventors.

After 10 years of collaboration, Mr. Cocco recognized in Mr Alfonso Annecchiarico the only one capable to continue his legacy. Today Alfonso Annecchiarico is the sole owner of R. Cocco strings and the only depository of Richard’s secrets. The best materials and the same machines designed and developed by Richard Cocco, Sr. continue to produce guitar strings that are exceptional.

Richard Cocco Strings are universally acclaimed by musicians for the perfection and purity of sound, which they product. The dedication to quality is heard in each set of hand woven and inspected strings. Today, these strings are sold in the USA, Canada, Europe, Asia, and Australia and sales are expanding every year. In keeping with this very rich tradition, we intend to stay ahead of the rest . . . to improve the best even though we make the best! From my hands to yours . . . . .

If you`d like to find out more about guitar strings check out Professor String here or for his article with a focus upon hand produced strings click here:

Handcrafted strings on a guitar or bass, are truly something to experience and hear. Some guitarists (particularly those recording) pay big money to have these strings on their guitar. In fact, some refer to these as “session strings”, as they are saved for recording their best tone tracks. The buttery smooth feel of a handcrafted string is second to none. They have a tone that is unmistakable and highly desired in the recording world. – Professor String

Well, That`s all folks,
Cheers…

Jake Edwards

 Sustain

Sustainability, in a broad sense, is the capacity to endure. It can be defined as the ability of an ecosystem to maintain ecological processes, functions, biodiversity and productivity into the future. In ecology, the word describes how biological systems remain diverse and productive over time.

Sustainable maintenance of the natural world and the responsible use of natural resources is a defining issue of our time.

mada lime Sustain

In musical terms sustain is the duration of a sound before it becomes inaudible.

Guitars have a lot of sustain, which is one reason for their rich sound and tone. Rosewood, maple, mahogany, ebony and spruce, are some of the more popular tonewoods because they are workable as well as durable and beautiful.

Unfortunately it has become highly important for the guitar manufacturing industry as a whole to consider preserving the trees from which guitars are made so that they do not become irrevocably lost.

front Sustain

Bob Taylor, cofounder and president of Taylor Guitars, says it’s a simple function of    “More people, more goods and a higher rate of harvest than regrowth.” And, he says, “We need good, quality wood.”

Gibson, Fender, Martin, Taylor and Yamaha have put their best foot forward though and joined forces with Greenpeace to create the MUSIC WOOD COALITION:

The Greenpeace Music Wood Campaign is partnering with the music industry to protect threatened forest habitats and safeguard the future of the trees critical to making musical instruments.

There are several eco-friendly guitar makers so there is no EXCUSE anymore for destroying the environment for the sake of tone! THe Mada guitars below are some of the most beautiful guitar-art-objects I have ever seen.

news.bamboo Sustain

Simon Lee Cyclotrons

High Quality, hand made, sustainable guitars and basses, using environmentally sound processes and materials where possible. Explore each style, each has its own unique tone and feel. Full specifications are listed on each page. Full and partial customisation of styles and body material and pickups are available upon request.

First Act Eco guitars

The Bambusa guitar’s body and neck are constructed of bamboo, one of the fastest growing plants in the world, and an uncommonly renewable resource. In its processed state, bamboo is harder than maple, making it a supreme-sounding and killer-looking substitute for high quality tonewoods. The guitar also has a water-based natural matte finish, and uses food safe glue.

“It’s a guitar you can rock out with, and feel good about playing. It feels so good, like you’ve played it a thousand times, but it has a ‘sizzle’ to it’s tone that you’re hearing for the first time.” says Craig Small, Director of Product Development.

Zero Impact Guitars

Zero Impact Guitars’ lovingly hand-crafted eco-Axe body is made from SmartWood FSC-certified Alder, the neck is moses graphite and the bridge is made from recycled steel.

Mada Guitars

The MADA caimes body is an organically shaped semi-acoustic electric guitar body made of hemp pulp and is not carved or milled like traditional guitars. Design has revolutionized the production technique. One form without any linings or bracings. With its edge-less organic shape, MADA develops an unmistakable, wonderful sharp and organic sound.  Why hemp? The permanent transition from impact sound into airborne sound is essential to the sound. Thats how resonances are formed. This makes Hempstone® the perfect 3 dimensional molding material for music instruments. The material consists of 100 % hemp fibres and contains no plastics, which would close these resonance-gaps.

Flaxwood guitars

We’re open to any technology (ancient, medieval or new) that can help us make a great guitar.

What sets Flaxwood apart from many other great guitar producers is that we don’t limit our options; the phrase “…because that’s the way guitars have always been built” is constantly questioned at Flaxwood. Is there a better way to do things? Do the new technologies now available have something to offer that we are unaware of?

Yes, we’re irreverent, we’re curious, we’re open-minded, and innovative technology does not spook us. But we don’t love innovative technology for its own sake; we only use technology that delivers, that helps us get closer to that tone and that feel we crave for. If technology does not deliver, we stick to time-tested solutions.

As much as we love wood, we wondered whether wood could be made more resonant, more uniform, and more stable.
In the process, using spruce as our base material, we created a completely new high-end tonewood in its own right – flaxwood. This wonderful material gave us a combination of properties that we were unable to find in traditional woods, and this material is at the heart of the wonderful vintage Flaxwood tone. And yes, it really is probably the most environmentally friendly tonewood available today.

Cheers,

Jake Edwards