Monthly Archives: July, 2010

This week we look at how you use a metronome to help with your timing while learning to play the guitar.

A metronome is a device that makes a sound to indicate beats so you can keep in time when you are playing the guitar. A metronome keeps perfect time so that you can learn the songs you love properly. Also metronomes are adjustable, meaning you can make them beat faster or slower. This lets you learn a song at a slower pace before building it up to full speed.

Older metronomes were like wind up clocks that had a swinging pendulum and were generally powered by a spring. On the end of the pendulum was a weight that could be moved to change the tempo (tempo is a musical term that basically means speed). Modern metronomes are electronic and generally battery powered. They are operated by pressing buttons or turning a dial. Older metronomes make a clicking sound like a clock whereas more modern metronomes generally make a pinging sound to denote each beat.

Metronomes are very important for all musicians because they will keep your playing in time. Nearly all modern rock recordings are made with a metronome and most dedicated professionals practice with one. The reason for this is that without a constant beat it is easy for a musician to go out of time. This also applies to practice as you should be trying to play in time as much as possible.

beginners metronome overlay Using a metronome when learning to play guitarNewer metronomes can do some pretty amazing things like playing differing time signatures like 3/4, 6/8, and 7/8 for example. They can also be set to make different sounds depending on the beat. For example you can set most newer metronomes to have a different sound at the start of a bar so you always know where beat one is.

When using a metronome you should push yourself but practice with tempos that you can handle. This will make you a better player — though you may find it difficult at first it is something that will pay dividends in the future.

Using a metronome is very important when you are practicing but there are times when you should play without it. When you are trying to be creative or if you are experimenting with different things there is no real need to use a metronome.

As you can see a metronome is a very useful tool to have in your “learn to play guitar” toolbox and there are many good online metronomes you can use for free.
We also include a software based metronome in the Full Jamorama Beginners to Advanced course if you are interested.

Tune in next week when we provide some great Tech Tips about looking after your prized guitar to keep it in the best condition for years of playing.

Question: “Which is best on an electric guitar, a set neck, a bolt-on or a neck through body?”

Rickenbacker 008 Tech Tip: Which is best on an electric guitar, a set neck, a bolt on or a neck through body?

Set Neck Guitar

Answer: It’s not so much an issue of “best” as it is “which sound do you prefer?”
The way a neck attaches to the body colors a guitar’s voice. String vibration transfers to the body through the neck/body joint (as well as through the bridge).

With a set neck guitar such as a Les Paul, the fit of the neck to the body is crucial – there must be no gaps or high spots to compromise the glue joint.
This way the neck and the body are “bonded” without adding pressure to the overall construction. Some builders feel a set-in joint gives the guitar a “singing” quality – notes seem to swell after the pick attack until they reach their final amplitude.
Smooth, warm sustain with moderate attack are characteristics often attributed to set-in guitars.

Bolt on neck Tech Tip: Which is best on an electric guitar, a set neck, a bolt on or a neck through body?

Bolt-On Neck Guitar

A bolt-on neck is practical – it’s easy to remove for repair or replacement – and versatile. A number of cottage industries have arisen that provide replacement or modified bolt-on necks for Fender Stratocasters, Telecasters and basses.
A good fit is still critical, as one builder/repair expert explains: “For a bolt-on to have the best possible tone, the neck must fit tightly in the pocket and make good contact on all sides of the joint. Any gap will result in lost sound”.
A bolt-on produces an identifiable timbre that emphasizes certain frequencies over others. It’s often defined as a “twang,” and is the result of the pressure exerted when you pull the neck into the pocket with screws.

Ibanez Studio ST 100 electric guitar back Tech Tip: Which is best on an electric guitar, a set neck, a bolt on or a neck through body?

Neck Through Body Guitar


Neck through body construction
usually employs maple for the neck paired with softer woods for the “wings” that form the body. Since the majority of the instrument is maple, the tone is often bright, with quick attack and tight bottom end.
The small body wings of a neck-through don’t develop the lower frequencies that a separate body produces, and the result is often a bright, thin-sounding guitar.
Neck-through instruments work well in high-volume playing situations that call for definition and clear low end. Some neck-through guitars – Gibson’s Firebird, for example – use a mahogany neck section. This softer wood provides a warmer, rounder tone more characteristic of a set neck guitar.

220px Mike Einziger of Incubus live 2004 Mike EinzigerMike Einziger, lead guitarist and backup vocalist of top band, Incubus was born June 21, 1976 in Los Angeles, California. But he was not always quite so famous: “Here’s what I used to know about Mike Einziger: that when he was 9, he played on the same soccer team as my good friend Mike; that he was the only kid in my second-grade class who could breakdance; that his mom makes great pizza bagels; and that he went to Calabasas High School” – Keren Engelberg, School Friend.

It’s amazing to think that a simple profile like this can make you think so much differently about a fantastic star and how much he has been through since the most innocent of days in childhood. Mike was born into a Jewish family and studied in a Jewish run school before joining Calabasas High School. He spent two years at Kadima Hebrew Academy until second grade. He then attended Hebrew School three times a week after his usually elementary school classes. Mike continues to believe in his religious background but prefers to dramatise his life in the spiritual background rather than the religious. Since he has grown up and viewed life very differently from his youth Mike has branched his beliefs away from the traditional ways of Jadaism but continues to believe the basic principles that are taught by the religion.

Mike first picked up a guitar at the age of about 8 years old, in third grade and proceeded to take lessons for a couple of months but soon became bored with the monotonous teaching and decided that he’d teach himself ‘rock’ songs that were his passion. However, it took four years for Mike to begin his own teaching on the guitar having picked up a few bits and pieces in between. Mike soon became incredibly hooked and from that moment on spent every second of his free time trying to figure out songs. His first triumph was learning the theme to James Bond, before taking any lessons whatsoever.

Mike considers the music he creates as ‘rock’ and frowns upon accusations that today’s musical triumphs such as the albums; ‘A Crow Left Of The Murder’ and ‘Morning View’ are a mixture of funk and metal. Mike does not conceive that their style is anything like that although they have touched on those elements previously in their musical career. He sees the need for change in music otherwise the monotony of it encroaches on everyone that listens and it soon becomes very boring. So Mike chooses to describe their music as rock because it is an extremely loose term, which fits accurately to their ever changing style of music and lyrics.

Mike’s life is all about making music. The celebrity aspect that often comes with stardom holds no interest for the guitarist who feels no excitement at the prospect of large functions and simply says: “I just prefer to stay as far away from that type of energy as humanly possible”. In fact Megalomaniac touches on aspects of society where people look to the cameras for their joy, yet there are those as impassive to the scene as a human to an ant. People believe the song to be about George Bush, to whom Mike says “I think that guy sucks”.

And to that ‘Jewfro’ Mike is never without he says: “It’s not really a choice I have, actually. It’s kind of like — it’s nature. It’s what God gave me. It’s why I’ve been put on this earth”.

After the band met at College a firm friendship was wrought from the musical awareness and fondness that each of the artists shared. and ‘rockstarishly’ picked a name by sticking a finger on a word in a thesaurus! But it soon became clear that they were ‘destined’ for greater things. Brandon had the knowledge for writing powerful lyrics, but Mike had an understanding of those words and the ability to tweak their power with some splendidly written and recorded music. Each song was written with not just notes to make a tune, but a true understanding of what was required to add that bit extra to lyrics that already made Incubus something different.

There is no doubt that Brandon Boyd and Mike Einziger and the combined technical abilities of each of the band members have made Incubus what they were meant to be. They are a band, and brilliant artists in their own right. But brought together they form one of the most inspirational and powerful song making bands of this era.

If your interested in learning to play an Incubus song check out our Video lesson over at Songpond.com where Moses teaches you step by step to play “Drive” one of the bands more famous tracks.

Posted by Cam Findlay