Author Archives: Jamorama

When it comes to hooking up your jam or practice room with inspiration art is a great way to go. We`ve already had a look at Michael Babyak and today its the turn of Paul Chase.

Paul Chase is an internationally known artist, author, innovator, visionary and guitarist. He is the founder and CEO of  Graphicguitars Inc., fine art guitar paintings, prints and posters. He received a Bachelors degree in Art and a Masters in Communications. He has taught art in high schools, vocational/technical school, and at the college level for over 30 years. Paul is a distant relative of the “other” famous American artist Georgia O’Keeffe (and they are both developed their art “roots” in hometown Sun Prairie, WI) and his large close up guitar images reflect her large close up flower series. Pauls art is available for purchase online here at Rock N Roll Vintage.

Check it out!

Cheers,

Jake Edwards

After the last post on listening and guitar  it’s time to focus upon one of the world’s greatest listeners, Evelyn Glennie, the Scottish virtuoso percussionist who has been profoundly deaf since age 12.

This does not inhibit her ability to perform at the international level. She regularly plays barefoot for both live performances and studio recordings, to better “feel” the music. Glennie contends that deafness is largely misunderstood by the public. She claims to have taught herself to hear with parts of her body other than her ears.

In the photograph at top we can see Evelyn with English guitarist, composer and improviser Fred Frith who uses some highly unusual and  enlightening techniques. Here is Evelyn discussing how to listen with your whole body rather than simply using your ears.

Indeed, this is a highly valuable lecture for any musician and the reason I’ve included it here on the Jamorama guitar blog is because of the highly tactile nature of the guitar – especially the electric guitar – and how the guitar as an instrument makes such a tight connection possible between physical approach (strumming, fretting, vibrato etcetera), the intellectual (musicality) and the emotional. Remember there are no rules and no right or wrong – we all hear differently, we all play differently! Groove to the beat of your own drum.

Cheers,

Jake Edwards

“…the obnoxious stink of a too loud electric guitar… now that’s my idea of a good time.”

Frank Zappa

If you really want to make ridiculous, obnoxious, weird and strange sounds then your first stop is an electric guitar – your next stop is an amp and some crazy effects chained together.

If you really want to take a journey to the end of the line then Fred Frith might just be your man.  Just don’t expect to come back feeling anywhere near normal!

FredFrith August2006 Fred Frith

Somehow or another Fred sounds as if he’s playing underwater,  in zero gravity, or dissembling his instrument inside a piano of sublime gargantuan dimensions with Mark Z. Danielewski as his conductor!!

piano house Fred Frith

If you are really keen on pushing the envelope then some of Fred Frith’s ideas might just float your boat!

Fred has managed to forge a career using an approach to guitars and playing that remains quite clearly so far left of centre it is almost inside out. Welcome to the avant garde world of guitar but, like Jazz, if you have to ask…you’ll never understand!

Fred must be doing something right or wrong even – try playing the second and third video clips ABOVE  simultaneously – they sound great together. Here is a link to some of Fred’s work – the seminal album guitar solos which contains absolutely nothing of the sort – is worth a listen because it is, in fact, surprisingly listenable and if you don’t like it your tropical fish probably will.

PEAK FREENS!

Cheers,

Jake Edwards.

head in sand 300x236 Playing the blues   its as easy as 1, 4, 5

Playin’ tha blues – it aint no big thing and it aint nobodies business if i do!

To play the blues you only have to count to five. Well holy schmoley Batman! That`s one number too darn many fo` some! Right , look out people because today’s post is about as much fun as a mouthful of sand – dry, uncomfortable and nitty-gritty; but just like  your monster-in-law its a necessary evil if you want to reap the rewards!!!

The blues is built almost exclusively around I – IV – V

leadbelly Playing the blues   its as easy as 1, 4, 5

Let’s refresh what we’ve learned so far about scales and chords.
Before you learn how to form certain chords you must first learn about scales.

A scale is a series of notes that play in an ascending and descending manner. For every scale (major or minor) there are 7 notes, for example in the key of C the notes are C – D – E – F – G – A – B.

The 8th note (in this example C) goes back to the root note but an octave higher.

Each note of a scale has a corresponding number from 1 to 7. So for the key of C it will be as follows:
C = 1
D = 2
E = 3
F = 4
G = 5
A = 6
B = 7

In order to make a major triad you will play the 1st + 3rd + 5th notes of a major scale.
In our example it is C – E – G, that’s the C major chord.

Let’s have another example this time using the C minor scale:
C = 1
D = 2
Eb = 3
F = 4
G = 5
Ab = 6
Bb = 7

In order to make a minor triad you will play the 1st + 3rd + 5th notes of a minor scale. In our example it is C – Eb – G, that’s the C minor chord.

Roman Numerals

Sometimes instead of numbers Roman Numerals are used instead. We go back to our example and use a Roman Numeral for each note in the key of C:
C = I
D = ii
E = iii
F = IV
G = V
A = vi
B = vii

Those with a Roman Numeral that is capitalized (I, IV, V) represent notes from which the major chord is built. While those that have lower case numerals (ii, iii, vi) represent notes from which minor chords are built.

The I, IV and V Chord Pattern

For each key there are 3 chords that are played more than others known as “primary chords”. The I – IV – V chords are built from the 1st, 4th and 5th note of a scale.

Let’s take the key of C again as an example, looking at the illustration above, you will notice that note I on the key of C is C, note IV is F and note V is G.

Therefor the I – IV – V chord pattern for the key of C is:
C (note I) = C – E- G (1st + 3rd + 5th note of the C scale)
F (note IV) = F – A – C (1st + 3rd + 5th note of the F scale)
G (note V) = G – B – D (1st + 3rd + 5th note of the G scale)

There are many songs that have been written using the I – IV – V chord pattern, “Home on the Range” is one example. Practice playing the I – IV – V chord pattern for every major key and listen to how it sounds as this might inspire you to come up with a great melody for your song.

Here’s a handy table to guide you.

I – IV – V Chord Pattern
Major Key         – Chord Pattern
Key of C                C – F – G
Key of D               D – G – A
Key of E               E – A – B
Key of F               F – Bb – C
Key of G              G – C – D
Key of A             A – D – E
Key of B             B – E – F#
Key of Db          Db – Gb – Ab
Key of Eb          Eb – Ab – Bb
Key of Gb         Gb – Cb – Db
Key of Ab        Ab – Db – Eb
Key of Bb         Bb – Eb – F

BK mockup small1 300x122 Learn like a Real guitar Hero

Last week I had a quick look at some custom guitar hero controllers as well as the YAMAHA EZAG stringless guitar, a “guitar” that falls half way in between a stringless controller and a learning tool with l.e.d.’s  to illustrate where you place your fingers upon the neck.

Guitar Rising is a music video game where the player plays a real guitar as cued by the game’s visuals. Following rock music sequences and streaming notes, players play guitar melodies and rhythms. Beginner difficulty levels are designed for non-guitar players and hard difficulties will challenge experienced guitarists.

The great news is Guitar Rising from Game Tank allows you to play a real guitar in a game that combines the Guitar Hero format with guitar tablature. There are six lines on the screen that represent the six strings just like the neck of your guitar. The color-coordinated notes have been replaced with numbers that tell you which fret to finger.

So a number seven moving across the third line or string from the top, means you’ll play a D note on your 3rd string. Guitar players who have spent any time with standard tablature will find this to be like second nature. If you haven’t then this game will help you move away from the stringless controller format into the territory of REAL guitar playing whilst still having fun.

At this point, GameTank is still unsure whether to implement full chords and polyphony in the final game (that is playing more than one note at a time) – right now the game recognizes notes only one-at-a-time basis and neither can it recognise slides, bends, rakes, triplets, diads etcetera.

This could develop into a really useful and versatile learning tool for those of you who enjoy the Guitar hero format but want to move above and beyond the unrealistic paddle switch clicking of the guitar hero controllers.

You will need a USB interface for your guitar such as the Line 6 guitar port – click here to find out more!

So if it’s time to ditch that amateurish controller toy guitar machine then here is the suggested method, but make sure you listen to Pet Sounds first; and why not?

Cheers,

Jake Edwards