I was born in a small town and grew up playing the bars and clubs there, making a small amount each week, but I wanted more. I initially thought that the only way that I would make a ‘decent’ living would be to become a famous musician and to be able to tour the world in my private jet (well I never quite got a private jet but I did manage to tour extensively overseas).

Most people, like myself initially, think the only money in the industry is with being a famous musician and many people overlook the other options that are out there to make money from your guitar. Here are a few ideas:

- Teaching guitar (once you have mastered the skills share them with others for a fee)
- Making/designing guitars or amps (if you are handy with tools or electrical knowledge this could be an option)
- Playing covers in café’s/bars (there is a large market for playing songs that everyone knows and loves)

The most important thing, however, is to DECIDE you’re going to succeed and don’t let anything or anyone stop you. Like anything, just stick at it and you will succeed. Well, that’s about it for this newsletter. Next week I’ll talk about the Star Spangled Banner, and in our Tech Tips section I’ll answer a question about getting a “metal” sound on your guitar.

Good luck with your practice.

Posted by Ben Edwards.

Paul Chase is an internationally known artist, author, innovator, visionary and guitarist. He is the founder and CEO of  Graphicguitars Inc., fine art guitar paintings, prints and posters. He received a Bachelors degree in Art and a Masters in Communications. He has taught art in high schools, vocational/technical school, and at the college level for over 30 years. Paul is a distant relative of the “other” famous American artist Georgia O’Keeffe (and they are both developed their art “roots” in hometown Sun Prairie, WI) and his large close up guitar images reflect her large close up flower series. Pauls art is available for purchase online here at Rock N Roll Vintage.

Check it out!

Cheers,

Jake Edwards

After the last post on listening and guitar  it’s time to focus upon one of the world’s greatest listeners, Evelyn Glennie, the Scottish virtuoso percussionist who has been profoundly deaf since age 12.

This does not inhibit her ability to perform at the international level. She regularly plays barefoot for both live performances and studio recordings, to better “feel” the music. Glennie contends that deafness is largely misunderstood by the public. She claims to have taught herself to hear with parts of her body other than her ears.

In the photograph at top we can see Evelyn with English guitarist, composer and improviser Fred Frith who uses some highly unusual and  enlightening techniques. Here is Evelyn discussing how to listen with your whole body rather than simply using your ears.

Indeed, this is a highly valuable lecture for any musician and the reason I’ve included it here on the Jamorama guitar blog is because of the highly tactile nature of the guitar – especially the electric guitar – and how the guitar as an instrument makes such a tight connection possible between physical approach (strumming, fretting, vibrato etcetera), the intellectual (musicality) and the emotional. Remember there are no rules and no right or wrong – we all hear differently, we all play differently! Groove to the beat of your own drum.

Cheers,

Jake Edwards

Carefully crafted to exacting precision, they’ve reproduced Kirk Cobain’s “battle-hardened left-handed Jaguar” including all the unusual details and the unique electronics that were on-board when Cobain first acquired the guitar in 1991.

Just some of the unique features included is the Stratocaster® Headstock, the Volume, Volume, Tone Control configuration, Adjusto-matic™ Bridge and Road worn aged finish. All this adds up to a very authentic copy of the axe used by Cobain, the left handed guitarist who “led a musically stunning and culturally subversive movement.”

So why would you want a copy of something like this if you want to do more than merely emulate a bygone musical era? I think the reason is two fold. First, inspiration. We take our inspiration from people that have been successful in the past. Perhaps secretly, hoping that some of their magic will rub off on us. Inspiration is quite different to taking something old and making it new. It’s about taking the essence of something old and creating something new with it.

And second, tone. Every guitar ever made has a unique tone because of the natural qualities of wood. A tree, when cut down, continues to ‘live’ as it changes with age. And while each Kurt Cobain Jaguar will have its own unique tone, unable to be replicated by the next one, each one will have within it an aspect of the tone that Cobain made famous.

Yes, there are guitar effects that color a guitars sound, but switch them all off and what you have is something raw. Something stripped back and complete. Something…unique.

Check out the sound of this beauty with BrewersArcade video:

Posted by Dan Orr.

It’s small enough to tuck into your bag and whip out on the train, bus, at the office, in front of the TV when you have a moment to spare to work on your guitar techniques. Kitted out with strap knobs it also allows you to warm up when gigging so you’re ready to rock when it’s time to go on.

While it does have tuning pegs, they’re not intended to be used like those on a standard guitar. Instead, you use them to alter the string tension to replicate the feel of your guitar in effect allowing you to practice on your guitar without actually having your guitar with you.

This headstock also doubles as the body of the guitar so you can grip the Shredneck, keeping the neck steady while you practice your licks. As you can tell it’s not your usual guitar but with the first 7 frets of a guitar neck, you’ll have plenty to work with.

You can work on your fingering techniques, from those lightning quick lead runs, chords or just simply warming up in anticipation of playing your ‘real’ guitar. However, it’s not really set up for working on your picking technique as there is no place to pick the strings in the same way you would on a standard sized guitar.

The guys at Shredneck are passionate guitarists and as such don’t make claims as to any medical benefits of using the Shredneck – as other ‘hand exercisers do’. Instead they see it as the closest thing to playing the guitar without actually playing the guitar. With the ability to always have a guitar on hand, you can continually work on your playing techniques to increase your effectiveness when it comes time to play the real thing.

Check out this video to see Sonny Lombardozzi run through some exercises he uses on the Shredneck to stay primed.

Posted by Dan Orr.

The effect is what you would get if you lightly placed your finger over the strings at a harmonic node and struck the strings. The most common and strongest harmonic nodes are at the 5th, 7th and 12th frets (and 17th if you can reach it).

Also, unlike conventional capos that allow you to only play in-front of where the capo is placed, the harmonic capo, allows you to play both in-front and behind the capo opening up a whole range of possibilities worth exploring.

The harmonic capo works in tandem with open tunings such as open C (Low to high: CGCGBE) open G tuning (low to high: DGDGBD) or open D tuning or DADGAD. With an open chord being played with no fingers being placed on the fretboard, this enables you to explore different melodic runs while adding in colorful harmonics throughout.

Of course, if you’re new to open tunings, it’s worth taking some time to familiarize yourself with the different shapes to produce chords of one tuning, before moving onto another. It might be helpful at this point to write down all the notes of the fretboard as they have changed with the tuning to get a better picture of what your working with.

With all this in mind, use of a Harmonic Capo really benefits finger style playing but that shouldn’t really stop anyone, who is interested in exploring the possibilities the Harmonic Capo offers from having a go. If you’re intrigued to hear some examples, head over to Bob Kilgore’s site and watch a few of his videos. Check out the video below, a number of excerpts from his latest CD offering.

His playing is sure to inspire you to push your playing in a new direction, even if you return having decided that it’s not the path you wanna take.

Enjoy!

Posted by Dan Orr.

Over time their images of the artist’s setups have changed so that now they are both easy to understand and very nice to look at.

Ever wanted to know just what Clapton was using in his days with the Bluesbreakers? The year is 1966 and Clapton is playing his 1950s Les Paul’s Standard through a Marshall Combo. Wanna know what speakers and tubes were in that model? Those details are all but a few clicks away.

While it might be hard to track down this particular model with a modest price tag, the information provided gives you a decent head start on what to look for and what could be possible.

And if nothing else, this information will add to your ever growing understanding of great tone. You can be pretty sure that the information provided on the site are sound, given that most of the information comes from the artist’s or their guitar tech’s mouths.

And with this type of direct contact you’ll find the occasional gem of behind the scenes takes from the artists themselves on their gear or band members and/or techies on the artist.

A great resource for geek-ing out and putting together the dream set up, should all your stars align and you win the lottery. Take a look.

Posted by Dan Orr.

After high school had finished the boys played gigs in and around their home town of Pasadena, CA. It was on this circuit that they meet singer David Lee Roth and bassist Michael Anthony who along with the brothers made up the quartet that would become Van Halen. While playing in a club in L.A., Van Halen was spotted by Gene Simmons. Simmons wanted to produce a demo for the band, but unfortunately the demo flopped and was rejected by all the major studios. However a year later at the same club Van Halen was spotted by a producer from Warner Records. He signed them on the spot and soon after in 1978 Van Halen’s self titled album was released. The band had a string of platinum records until 1985 when rifts in the band forced Roth to leave the band.

However the bands momentum couldn’t be stopped. They quickly signed new singer Sammy Hager and the juggernaut that Van Halen had become, continued.

Hager was with the band for 11 years and this period saw one of the bands albums (5150) go to number one, which was a first for the band. In the late 90′s Hager quit and Roth returned briefly for the release of the bands Best Of album. But time had not healed the wounds and Roth was quickly replaced by Gary Cherone, the former front man for the band Extreme.

It is through the band Van Halen that the musical genius of Eddie Van Halen has been exposed. His wild style electrified audiences and created a legion of guitarists keen to mimic his playing. The most commonly referenced song when people talk about Eddie Van Halen is Eruption. Eruption is well known for its distinctive introduction which includes the most well known example of double handed tapping. This technique involved Eddie using both his right and left had to fret the guitar, and using a tapping motion to make the guitar sound out.

This technique was not new, some players had experimented in the 1950′s but Eddie Van Halen redefined the technique. He added speed, accuracy, distortion and a box full of various effects to the mix creating a style that would become an essential tool of rock guitarists for years to come. Also the popularity of Van Halen’s guitar based, solo laden rock caused many other bands to copy their style. It caused a period in music where nearly all popular rock music displayed some degree of virtuoso soloing. This musical trend has been heavily influenced by Eddie Van Halen’s guitar playing.

And here is a more recent live version of “Eruption” (Seattle, 2007); published by Youtube user TeamDZ:

Hope you enjoy it as much as we do!

Posted by Moses Robbins

How do I find musical ideas? How do I write music?
Not an easy question to answer I would say!

One of the challenges all musicians have is finding ideas for music. When you are creating original music it is important to have steady stream of inspiration. It is important to note that people can find inspiration from many differing things depending on their personality.

Living your life is the best source of material for songs. Try and be aware of everything around you. Take notes about people and situations you experience, documenting your reactions to them. Your own reactions are important because personal songs are often the best and easiest to write for many musicians.

Another tool that can be very useful when writing a song is to put yourself in someone else’s shoes or situation. If you find yourself stuck in a rut then this can also be a good way to change your style of writing.

When it comes to writing music it is important to try and develop you musicianship. New skills are like doorways to new songs. Many times you will learn a new technique and a whole song can be built around that. For this reason it is important to always be on the lookout for new skills and ideas.

One of the best ways to pick up the new skills is to learn other musician’s techniques. When you see one of your musician friends playing something interesting try and learn it. This does not mean you should rip off another person’s song, however use those musical ideas to inspire you.

Becoming proficient at your instrument will make it a lot simpler to think of good ideas for your songs.

Melodies are all inside you and they don’t have to be complex. When you are singing to yourself in the shower remember that even the simplest three note melodies have the potential to become songs.

You can find ideas for music and lyrics all around you. Don’t be afraid to open your mind and come up with new and interesting concepts. Experiment with your song and music writing until you create something that you believe in and that is fun to play. And be sure to let me know how your writing is going!

Posted by Dan Orr

We receive tons of emails from left handed guitarists asking for advice on how to learn; which course is good for them; what do they need; is there anything special I need to do when it comes to playing the guitar? Do I need a left handed guitar? Does your Jamorama course cater to left handed players?

Many people feel that left-handers are at an advantage when it comes to learning guitar. First if you are learning the guitar around the left handed way then you will have your guitar the same way as anyone you’re playing with and also your guitar will be the same way round as traditional chord diagrams (this of course makes it easier to understand what the diagram shows). Also if you are left handed and play your guitar right handed then you will have your strongest hand (your left) fretting the strings which is one of the hardest things for beginners to master.

Please note that Jamorama doesn’t recommend learning to play the guitar around the “wrong way” as it can impede developing a good solid sense of rhythm. However playing round the wrong way can be beneficial for SOME players.

In terms of the actual guitar when it comes to classical guitars it is not problem just to reverse the strings. With electrics and other acoustics it can be better to invest in a left handed guitar. Some players have no problem stringing electrics upside down (Jimi Hendrix for one) so if you think that will suit you try it.

Check out these “tributes to left handed guitarists” by Youtube user hardandheavyvideos2 and toastedaudiolab:

Good luck to all the lefties in the world! You guys rock!!!

Posted by Dan Orr.