Category Archives: buying guitars

Since the days of designing and building amps in an old converted dog kennel in the hills of Northern California, Randall Smith and his band of music obsessed, tone junkies have been baking up new designs to push high gain, multi-valve, multi-input guitar amps to the next level.

The Triple Rectifier Head is one more example of this ongoing development of great sounding amps. Following on from the success of the patented Dual Rectifier ® series, they introduced a third channel upping the gain to a massive 150 Watts (switchable) and adding more switchable modes to increase the sonic possibilities.

newsletter23 gear triple rectifier Mesa Boogie Triple Rectifier Head

Each channel has a separate 5 way EQ to control the Bass, Mid, Treble, Presence and Master settings as well as a separate gain for each channel. There’s also the option to choose what power setting you want: 150 Watt or 50 Watt, so you can play at a lower level while maintaining the high gain crunch.

In addition to these individual channel settings you have and Output section that allows you to alter, up or down all channels in one go. The Main output allows you, once you’ve locked in each channel to your desired sound, to boost or lower the overall output volume of all channels at once. The Solo switch, gives you another volume setting that is applied (in parallel) over all channels for Solos – which is also foot switchable.

Each channel gives you the choice between two types of rectification to apply; Silicon Diode for tighter low end tracking, more head room and a more articulate sound and Vacuum Tube for less head room, a sweeter and less articulate sound.

And for tuning in silence, they now have a dedicated Tuner output so you can tune without everyone listening in.

Not only is this amp packed with great sound options, you also get a choice of front panel from the iconic diamond plate, black taurus or jute to match the look and feel you best matches you.

There are so many options packed into the Triple Rectifier that you’ll want to spend some serious time experimenting with. Of course, the Mesa guys give you heaps of tips and technical know-how within the user manuals, which are available online and make for easy and informative reading.

I’ll admit, 150 watts is a massive amount of noise potential and not one that I’m accustomed to using. But that wouldn’t stop me from taking a test drive. Check out the video below to hear some of the boundless options the Mesa Boogie Triple Rectifier is capable of.

ab4e2097d32a3cfb2d407817c82c42dd Mesa Boogie Triple Rectifier Head

Posted by Dan Orr

This is actually a reprint of one of the longest running and hottest topics in all of guitar playing.

Welcome to Questions Answered. Jim Miller also authors Tech Notes Online, a weekly Sweetwater column covering all aspects of today’s music, from stage to studio.

Q: “Is there a noticeable sonic difference between Strats & Teles?”

A: This is somewhat of a loaded question. Of course there are differences between any two guitars – sometimes even between the same model built different years.

Historically, the Telecaster (Tele) featured a solid ash body with single coil bridge and neck pickups along with a maple neck and fingerboard. The Stratocaster (Strat) was Fender’s “upscale” model, with a contoured body, three single coil pickups, a tremolo tailpiece and a maple neck and fingerboard. As you might expect, having three pickups offers more tones (particularly when you factor in the two “out-of-phase” positions available on models with a five-way switch).

Some Strats may have a rosewood fingerboard that will warm up the sound slightly. The same would be true for Teles. Both are legendary for their clean, bright tone (sometimes referred to as “spank”). Newer releases of either instrument have added various options such as maple tops, additional pickups (or different pickup types: humbuckers or active Lace Sensors with mid range boost for instance).

To a true guitar-a-holic, Teles and Strats are quite different instruments, normally used to achieve different sounds for different types of music. On a recording, most “normal” people would not hear a noticeable difference between a recording of a Strat or Tele using the bridge pickup. The main tonal differences would be most noticeable when a Strat is played using the “out-of-phase” pickup combinations, which produce a clear, glossy tone, perfect with a chorus effect. Most players actually choose a specific Fender model based on looks and feel as much as for their respective tones. Unquestionably, both are classics that have stood the test of time!

Check out the comparison between these two beauties recorded by Youtube user larsenpeople:

ab4e2097d32a3cfb2d407817c82c42dd Difference between Strats & Teles

Posted by Dan Orr

Often cheaper than a new guitar and just as ready to rock out, a secondhand guitar could be the perfect addition to your collection or the perfect thing to start you off, but how do you know that your potential purchase isn’t a potential dud?

The truth is that some fantastic guitars, while expensive when new, are relatively cheap secondhand. Sometimes you can find a custom or a limited edition guitar that someone is selling quickly for the cash and you can often get a real bargain if you know what you are looking for.

It really pays to do the research before thinking about buying a second hand guitar though as some sellers will push their price up to cash in, especially if they know they are selling to a beginner who may not know much about guitars.

So, as a beginner who may not know much about guitars, what should you look for when inspecting a secondhand guitar? Let’s just say that you have found a secondhand guitar in the musical instrument section of the weekly classifieds and you are quite interested to go and take a look at it. Here is a list of hints that will help you when inspecting the guitar and talking to the seller:

The make and model of the guitar – It is best if you can do some research to find out what other similar guitars are selling for. Be sure to check both new and used, and whether or not other people are experiencing problems with it. You can find reviews for almost any guitar submitted at www.harmony-central.com/Guitar or you can go and ask at your local music store.

Ask about the condition of the guitar – If they are honest, the seller may tell you about any damage that is undetectable upon rough inspection.

Ask how long they have had the guitar – If they have had it for a long time, they should have a good knowledge of its history of use, repairs and maintenance etc. If they hesitate or don’t want to give you that information, they may be trying to pull one over on you.

When inspecting the guitar, check the following:

The overall condition – Look the guitar over and make note of any obvious damage. Guitars often take a bit of wear and tear and if its just small scrapes and scratches then the guitar will probably be fine.

Look for rust, not on the strings, but on the hardware that is holding the strings and the pickups. If there is any rust in these places, run! It’s not worth it. What good is a guitar that may fall apart on you in the near future? Trust me – leave it alone.

Here are some other areas to look at and things to check:

* Make sure that the neck is not warped or out of shape in any way.

* Check the area where the neck joins to the body of the guitar – look for cracks where it may have been broken in the past. Also check the area where the neck joins the head of the guitar.

* Check the action – Action is a word that describes how close the strings are to the fret board starting at the head of the guitar all the way down to the bridge.

It is preferable to have the strings very close to the fret board as to make it easier to press them down, but not so close that they are touching of course. If the strings are nice and close to the fret board all the way along, you would say that the guitar has a good action. Guitars with poor action are harder to play and don’t sound very good. You can fix the action on your guitar by taking it to a guitar technician, but it will cost you between $20 and $50.

* The intonation of the strings – Intonation is a word that describes the accuracy of each individual note that the guitar can produce on any string. If the intonation is correct, every note on the guitar will be the correct pitch. If it is out, the guitar will be impossible to tune and it will sound horrible. To roughly check the intonation, play the E shape barre chord on each fret of the guitar. As you move towards the bridge of the guitar, you should hear the chord keeping its pitch. If not, the intonation is out and you will need to get a guitar technician to work on the problem.

* If the guitar you are looking at is an electric, you must plug it in and see how it sounds through an amp. Ask the seller if you can play it through your amp and if you don’t have one, ask someone if you can borrow theirs. Try the following when testing an electric guitar through an amp.

* Turn the amp up to a fair volume level and then play with the volume and tone controls by turning them to full and then back to zero. Test the pickup selector by flicking its switch back and forth. Carefully listen to any sounds that are being made while doing these things. You are looking for scratchy sounds or clicks that might indicate old or worn electrics.

* Strum a single chord and while the chord is ringing start playing with the controls like before, still listening for scratches or clicks or any other nasty sounds. Guitar technicians can fix these problems and most guitars need to be done about once every 5 – 10 years. Just be aware of this fact or you could find yourself spending more money than you first intended.

* Check the sound of the guitar – Before you buy, you want to know that the guitar sounds like it should. Once you have tested the guitar sound, go to a music store and ask to play on a new model of that guitar. If at all possible, use a similar amplifier to the one that you tested the second hand guitar on, and see if you notice any BIG differences. There is a simple rule you could follow: If you’re not happy with the guitar sound, don’t buy it!

The most important thing to remember when shopping for any guitar is… don’t shop impulsively. A guitar is a major purchase and you want to get the right one. Leave yourself time to go away and think about the purchase. If you have doubts when checking out a guitar, you are probably better to leave it and hold out for something that better suits you.

If you are new to the guitar and a little worried about testing guitar in public – don’t worry. It is important to remember that you are not there to showcase your playing ability – you are there to discern whether your proposed buy is a good deal or not so just go for it. If you are still worried, take an experienced guitarist along with you when you are looking at a possible purchase. See if you can persuade a teacher or a friend. Most musicians love to help newbies. Not only will they be able to offer helpful advice they will be good moral support when it’s time to pick up the guitar and test it out in public.

Have fun looking for a guitar!

Posted by Ben Edwards

If you’re always on the go, like being able to play anywhere, anytime, and don’t want to be bogged down with having to lug all your guitar gear around with you, the IK Multimedia Amplitube iRig might be right up your alley. Oh, and you have an iPhone.

Founded in 1996 and operating in four countries (Italy, UK, US and Japan), IK Multimedia has been busy developing software for anyone with a musical bent. Leveraging the exponential growth of the personal computer and advancing technologies they’re enabling musicians of all walks of live play, product and listen to music like never before.

Throughout this time, they’ve partnered with the likes of DigiDesign, Intel, Mackie, EMU, Roland, Apple and many others and it’s their partnership with Apple where the iRig comes in.

A simple download from the iTunes App store effectively turns your iPhone into a complete multi-effects processor, recording studio and learning tool that’s always in your pocket. All effects are tweak-able at the slightest touch and swipe. Not only that but you can easily upgrade your ‘rig’ from the Amplitube iRig app Custom Shop with up to 11 stomps, 5 amps, 5 cabinets and 2 microphones.

With plug n play technology It’s as easy as plugging in the iRig interface to your iPhone, plugging your guitar into the right input and then plugging in your amp, powered speakers or headphones to start playing or recording..

They really have thought of everything. You can even import a track so you can jam along with it, providing your own lead lick or sharpening up your strum. For Jamorama users out there, this is a very usual feature that can easily be used with our Jamtracks. Simply import a jamtrack, print out or bring up the tab on your computer screen and jam away.

It also comes loaded with a metronome to keep yourself in time, and a chromatic tuner so you’re always in tune.

I took a few minutes out of my work day to give Dave’s iRig a go with his iPhone and have to say it is a really simple app to navigate. I dug out a pair of headphones and a lead to plug in my acoustic mini Maton, clicked on the Amplitube App and I was away.

The free app had enough for me to have a bit of fun with. It comes with a Noise filter, Delay and Distortion effects. Tweaking the effects is as easy as selecting it and dragging the slider up or down depending the desired effect. I even had time to record a quick track, which again was as easy as pressing record. The paid version does give you more recording capabilities but to quickly get an idea down, it’s a good option.

All in all the IK Multimedia Amplitube iRig for iPhone app is a neat little app with a multitude of uses. Being able to record your playing to hear how your it’s progressing or quickly get a copy of a musical idea before you forget it, is a really useful thing to always have in your pocket.

If you’re like me and iPhone-less, IK Multimedia have not forgotten us. They also have a USB audio interface in the form of Steath Plug so you too can download the Amplitube software, plug your guitar into your computer and experience all the great features your iPhone friends can access.

Check out the video below to hear and see how easy the iRig is to use.

ab4e2097d32a3cfb2d407817c82c42dd IK Multimedia Amplitube iRig

Posted by Dan Orr

For the vintage tone-a-phobes out there, the Martin D16-Adirondack is a model that reproduces classic dreadnought tones of the likes of Martin’s D18 model but is set at a more affordable price than their other vintage re-issues.

The D16-Adirondack features a mortise and tenon neck joint and slightly different bracing than the D18 but produces a full rich bass that can dominate the rest of the guitar’s range. Having said that, you’re probably not going to get a fatter bass sound for open tunings or dropped D tunings.

The Adirondack (or red spruce) top, is unique in that it has an excellent stiffness-to-weight ratio and a “springy” quality that together enable it to be used on a variety of sizes of guitars while still maintaining good head room and a dynamic range as well as kicking out a decent volume.

Its striking good looks come from the much wider grain which is often at odds with conventional wisdom about what makes a great piece of spruce. Martin have created a distinctive look by using a gloss finish with a yellowish toner which make it stand out even more from their other models.

Admittedly, it’s not a guitar that will suit every style. Dreadnoughts are commonly thought of as a bluegrass ax. However, there is a diverse group of players that prove the dreadnought’s versatility.

Tommy Emmanuel & Bill Mize prove dreadnoughts are just as good for finger-style where Tony Rice and Grant Gordy show that they can also be used for Jazz. They have also been just as at-home in the hands of singer-songwriters like Joni Mitchell, Neil Young and Bruce Springsteen.

To hear how the Martin D16-Adirondack performs, check out the following video review from Acoustic Magazine’s Scott Nygaard.

ab4e2097d32a3cfb2d407817c82c42dd Martin HD16 AD

Posted by Dan Orr