Category Archives: acoustic guitars

If you’re into alternate tunings and experimenting with new and interesting sounds on your guitar, then you’ll love the Harmonic Capo created by Bob Kilgore. Unlike a regular capo that presses the strings down at the desired fret effectively changing the placement of the nut, the Harmonic Capo gently rests on the strings.

newsletter26 gear bobkilgore hc Harmonic Capo

The effect is what you would get if you lightly placed your finger over the strings at a harmonic node and struck the strings. The most common and strongest harmonic nodes are at the 5th, 7th and 12th frets (and 17th if you can reach it).

Also, unlike conventional capos that allow you to only play in-front of where the capo is placed, the harmonic capo, allows you to play both in-front and behind the capo opening up a whole range of possibilities worth exploring.

The harmonic capo works in tandem with open tunings such as open C (Low to high: CGCGBE) open G tuning (low to high: DGDGBD) or open D tuning or DADGAD. With an open chord being played with no fingers being placed on the fretboard, this enables you to explore different melodic runs while adding in colorful harmonics throughout.

Of course, if you’re new to open tunings, it’s worth taking some time to familiarize yourself with the different shapes to produce chords of one tuning, before moving onto another. It might be helpful at this point to write down all the notes of the fretboard as they have changed with the tuning to get a better picture of what your working with.

newsletter26 gear harmonicapo Harmonic Capo

With all this in mind, use of a Harmonic Capo really benefits finger style playing but that shouldn’t really stop anyone, who is interested in exploring the possibilities the Harmonic Capo offers from having a go. If you’re intrigued to hear some examples, head over to Bob Kilgore’s site and watch a few of his videos. Check out the video below, a number of excerpts from his latest CD offering.

His playing is sure to inspire you to push your playing in a new direction, even if you return having decided that it’s not the path you wanna take.

Enjoy!

ab4e2097d32a3cfb2d407817c82c42dd Harmonic Capo

Posted by Dan Orr.

If you haven’t already searched the slew of music apps available for the iPad, you won’t be surprised to learn that are some great guitar apps worth checking out. One such app is Agile Partners’ Guitar Tool Kit 2.0 featuring a number of essential tools any guitarist will benefit from.

For a very reasonable fee ($9.99), you can load your iPad, iPhone or Ipod Touch up with a tuner, metronome, chord, scale and arpeggio library. The tuner will give you accurate tunings not just for 6 string guitars, but also 7 and 12 as well. It also support 4, 5 and 6-string bass, banjo, mandolin and ukulele, with alternate tunings for each instrument. You can also dial in your own custom tunings.
newsletter25 review agilepartners Agile Partners Guitar Tool Kit 2.0
The metronome can be run in the background while you use other Guitartoolkit tools. It features a tempo tap pad, 25 sound effects and 22 time signatures meaning you’ll be keeping rock steady rhythms from now on.

The massive chord library gives you over 2 million chord diagrams, scales and appegios so you’ll never get stuck finding a chord and if you need to transpose a song, you can add in a capo and the chords will automatically adjust for the new key. For scales you can simply click on a note and a range of possible scales will be displayed. You just need to know how you use them.

There’s also an app upgrade ($4.99) that will give you the Advanced Metronome (for your iPad now and iPhone/Touch soon), giving you the ability to create your own drum beats with 32 instrument tracks and 75 distinct sounds to make your practice sessions all the more fun.

You’ll also be able to create your own interactive chord sheets and print or email them to a band member or friend. Click on any chord in the progression you’ve created and hear how it sounds.

And if that wasn’t enough, you will also have 60 instrument sounds at your fingertips to create custom instrument sounds for both acoustic and electric guitar through Agile Partners’ AmpKit tone engine.

For a quick video overview, check Agile Partners’ release video.

If you want essential guitar tools at your fingertips then Agile Partners’ Guitartoolkit 2.0 is well worth considering.

ab4e2097d32a3cfb2d407817c82c42dd Agile Partners Guitar Tool Kit 2.0

Posted by Dan Orr.

Left handed guitarists are not very common. I have always said that every left handed guitarist I know, is a great player! I do not know why, but every left handed guitarist I have played with or heard, is freaking awesome!

newsletter25 articles lefties 240x300 Tips For Left Handed Guitarists

We receive tons of emails from left handed guitarists asking for advice on how to learn; which course is good for them; what do they need; is there anything special I need to do when it comes to playing the guitar? Do I need a left handed guitar? Does your Jamorama course cater to left handed players?

Many people feel that left-handers are at an advantage when it comes to learning guitar. First if you are learning the guitar around the left handed way then you will have your guitar the same way as anyone you’re playing with and also your guitar will be the same way round as traditional chord diagrams (this of course makes it easier to understand what the diagram shows). Also if you are left handed and play your guitar right handed then you will have your strongest hand (your left) fretting the strings which is one of the hardest things for beginners to master.

Please note that Jamorama doesn’t recommend learning to play the guitar around the “wrong way” as it can impede developing a good solid sense of rhythm. However playing round the wrong way can be beneficial for SOME players.

In terms of the actual guitar when it comes to classical guitars it is not problem just to reverse the strings. With electrics and other acoustics it can be better to invest in a left handed guitar. Some players have no problem stringing electrics upside down (Jimi Hendrix for one) so if you think that will suit you try it.

Check out these “tributes to left handed guitarists” by Youtube user hardandheavyvideos2 and toastedaudiolab:

Good luck to all the lefties in the world! You guys rock!!!

ab4e2097d32a3cfb2d407817c82c42dd Tips For Left Handed Guitarists

Posted by Dan Orr.

Let´s start, for those of you who do not know what Alternate Picking is…
It is a guitar playing technique that employs strictly alternating downward and upward picking strokes in a continuous run, it is just as simple as that. (Thanks Wikipedia!)

But now, playing this technique is a completely different thing. If you are having problems with it, this is what you can do:

The main problem with alternate picking comes when you are picking a note in the opposite direction of the next string that you’re going to play. For instance, if your last note was a down stroke on the G string, and your next note is an upstroke on the D string, then your pick has to travel a more complicated path than if you are picking up on G and down on D. What to do?

Some people just refuse to let their picking hand do the more difficult move, by trying to put a hammer on or a pull off to time the direction of the pick to a more favorable direction. Others might just be using the pick to start the string in motion, but are doing all hammer or pull offs other than the first note on a string.

But let’s concentrate on what to do if you are using the versatile alternate picking method. Since we don’t want to limit the note choices, or string choices, in any way, we have to just get good at dealing with the problem.

Practice going back and forth between two strings picking in the opposite direction. For example, play a C on the 3rd string (5th fret) with a downstroke followed by an E on the 4th string (2nd fret)with an upstroke. Repeat the C and E one more time.

Next, bring the C down to a B (1 fret) on the 3rd string with a downstroke, followed by the same E on the 4th with an upstroke. Repeat the B and E. Just to make a slightly musical pattern, do the same thing, but change the B down to an A, doing the same pattern. To make the pattern symmetrical, return the A back up to a B and play B,E,B,E, just like the second pattern.

It will take a lot less time to play this than to read about it, so try to muddle through this explanation to get to the actual notes, it’s not hard to play this as long as you don’t try to play it too fast.

As with all exercises, do it slowly and as accurately as possible at first. Doing this exercise addresses one of the most important points about practicing and improvements.

If you have some free time, check out this video which is an extract from Paul Gilbert´s instructional DVD “Get Out Of My Yard” – It is insane what you can do when getting this technique right! Check it out:

Good luck with your practice. See you next week!

Posted by Moses Robbins.

Guitar strings can basically be divided into two types – steel and nylon. Nylon strings are used on classical and flamenco guitars; while steel strings are generally found on electric, flat top and arch top acoustic guitars. It is important to note that while strings are referred to as being steel or nylon, generally strings are wound with some type of copper, brass or nickel based alloy. Out of the six strings on acoustic guitars the 1st and the 2nd are generally ‘unwound’ while the 3rd, 4th, 5th and 6th are generally ‘wound’. It is also common on electric guitars for the 3rd string to be ‘unwound’. Most guitars have a set of six strings of varying thickness, each of which is tuned to a different note. The main variation on this is twelve string guitars. They have twelve strings which sit in pairs and are tuned in octaves.

Wound strings are made by rolling wire around a hexagonal or round central string. These wound strings are found on bass strings as it is easier to tune heavier, thicker strings to lower notes. A large variety of materials are used to go around the central string. These materials vary depending on tone wanted and durability desired. However electric guitars need strings that are magnetically responsive. Therefore white metals are required; generally on modern electric guitar strings this metal is nickel or a nickel alloy.

There are three things that dictate the pitch that is produced when a guitar string is played: its length, tension and weight. Its length is simply the distance that the string is along the guitar. Length is changed when you depress a string with your finger. Tension is simply how tight the string is and can be changed by turning the tuning nuts. Weight is the size of the string with bigger strings vibrating slower and producing a lower note.

String sizes are generally talked about in terms of gauges. They are measured in fractions of an inch – the smallest common string being a .008 and the largest in common usage being a .060. Lighter strings are easier to bend and also don’t require much force to push down.

Lighter strings are therefore easier to use and many people who focus on speed prefer lighter strings so they may play faster. However lighter strings can go out of tune easily and have to be replaced often. Lighter strings also have less sustain and aren’t as loud. Heavier strings are more difficult to play but many guitarists prefer the tone and feel of heavier strings. The increased size also means that heavier strings are preferred for musicians who want to tune down their guitars. A light string tuned down too low will get floppy and give a muddy unclear sound.

One of the most annoying things that can happen when you are playing your guitar is having your strings break. There are several common reasons that strings break. The most common reason is being overly aggressive with your right hand. Often if you are playing hard with a pick you can snap the string by simply hitting it to hard. There is no simple way to fix this problem. In fact it is probably better to keep playing hard if that’s your style than toning down just to save strings.

Old strings are prone to breaking as well. This is because as a string gets old they become less elastic and wear from constant playing. Another way that you can break strings is by tuning them too high. Winding your tuning pegs up to high can snap one of your strings. This generally occurs when you are tuning you guitar. For this reason it is best to tune with the strings pointing away from your face.

There can also be sharp points on your guitar; particularly around the bridge or nut. These can lead to regular string breakages. Therefore it is something you should check if your strings keep breaking.

Strings are a key part of the equipment that defines and creates the sound you make. New strings sound rich and clear and different kinds of strings can give you music a different feel or allow easier play. Changing the strings you use and trying different types of strings, or going up and down in gauges is an excellent and cheap way to experiment with your equipment.

If you have 5 minutes, check out this D´Addario video on “How strings are made”:

Posted by Ben Edwards.