Category Archives: guitar effects / pedals

Hello, Jamorama Students and fellow Rockstars,

Yesterday we took in our final day at the NAMM show. Being Saturday, it was the day where the big crowds turned out to see the big name artists and the big changes taking place in the world of music gear.

After seeing pretty much everything that’s being exhibited this year we thought it would be cool to share a couple of new developments here that we think you are going to like and that maybe, will change the way we interact with music in the future.

The first thing that really got us buzzing is the new Eleven Amp from Avid (the guys behind Pro Tools).

IMG 0026 300x225 NAMM Show Part II

They call it the killer rack because it puts professional recording and signal processing in the hands of every guitarist. Eleven has been an amp-cab-mic modeling software plug-in for pro-tools for some time now, but recently the avid team have developed the idea and turned it into a stand alone piece of hardware.

Taking Cool Processing technology from their Pro equipment TDM HD systems (big $$) and adding that to the software, Avid have produced a box that completes all the intensive algorithms that drive the complex software and delivers the audio to your speakers, amp setup and or via USB to your computer and pro tools environment with no latency.

The Eleven rack will suit the guitarist that is at the level where studio and stage is becoming part of their musicianship experience. This is a tool that will allow you to record your guitar straight into the digital world and have the end signal sounding very nice indeed. The quest for analog tone in the digital world drives these development teams project by project and the reality is that one day a cheap $100 guitar will sound like a rare 70′s telecaster through a 60′s fender combo.

The well trained ears have previous said, these emulation plug-in sounds are good, but they don’t sound like the real thing being mic’d up with the old 60′s combo.

James Michael – Producer, engineer,songwriter; motley crue, meatloaf, scorpions said, ” I’ve seen the potential for years with small preamps and amp emulation plug-ins, but Eleven is the first plug-in that can honestly replace the guitar amp.” Very exciting future for production.

You can find out more about Eleven here.

Another interesting development is the new partnership between Fender Guitars and eJamming. We all know what Fender are famous for, but you may not have heard of the eJamming crew before. eJamming have been around for a few years now but it’s only recently that they have partnered with Fender and gained more exposure.

Fender show room level 3 namm show

Basically, eJamming is just that – jamming online. eJamming’s online platform allows you to connect and jam out with your friends and other musicians no matter where both parties are in the world. The Fender representatives we spoke to said the partnership was a natural progression for Fender and that they chose eJamming as it offers the lowest amount of delay in signal.

This is definitely worth checking out and it’s free to try, so you can test it out with your friends before signing on. Check it out here.

If you do get a chance to try these things out then please leave a comment on this post so others can read your thoughts about them.

So, that is it from us at the show for now. While we’ve shared only a few interesting highlights here on the blog, we’ve taken a lot more information away from the show that will help us develop a better service for all of you in 2010. Also, look forward to to more NAMM related posts in the next couple of weeks.

Cheers
Jon

Boss pedals 300x225 BOSS PEDALS

Boss have put together a basic interactive online pedal board that can help you configure and chain together some effects and sounds. If you are new to pedals then this is a great place to start. If you just want to listen to some great effected guitar then there is some awesome effect laden Ozric Tentacles and Steve Hillage space rock to listen to on our blog here!

It’s no substitute for heading down to your nearest guitar dealer and playing Stairway to Heaven for four hours but it might help get you in the mood.

Click here or on the picture to launch!

Cheers,

Jake Edwards

boss copy

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At last…back by unpopular demand and fully loaded – it`s an introduction to the BOSS RC20XL loopstation filmed live in Escondido by none other than mongolian string twister and nocturnal riffmaster guitarist Jake Edwards. So, if you’re interested in finding out a little bit about what the loopstation can do then hit play below and enjoy the video.

Well, That`s all folks,
Cheers…

Jake Edwards

What’s ten years old, a furious red colour and squeels when you stamp on it?

NO, it’s not that; it’s the digitech whammy pedal.

47154 1 big Digitech Whammy

It’s been a decade since the Whammy pedal  was introduced and now it has a permanent place in the history of rock and roll. The Whammy not only adds to your playing, it creates new sounds, feelings and textures – - this is  what has made the Whammy pedal a legend.
The Whammy is simple to use – Take your guitar’s sound and pitch shift it using a special algorithm, then control that pitch with an expression pedal, like an extended pitch shifting wah-wah. So easy and so expressive that it takes your playing to a new world of quirky dive bombing insanity further than any tremelo arm can reach and create bends that can only be found on other instruments.

{this video contains profane language and alot of whammy pedal}

The Rage Against the Machine guitarist Tom Morello is famed for his guitar style, which consists of heavy metal/punk hybrid riffs and hip hop-inspired sounds. If you have heard Rage Against the Machine’s eponymous debut album you`ll know exactly what this pedal sounds like – it’s all over this record like a violent rash. Morello’s guitar playing is characterized by heavy use of guitar effects, such as delay, modulation, wah, harmonizers, distortion, feedback, and others in unique ways and combinations. The most recognizable effect in Morello’s arsenal is the Digitech Whammy and he combines the whammy with some thumping grooves and hard hitting riffs that have now become classics.

Well, That`s all folks,
Cheers…

Jake Edwards

Fresh!
Hello Jamorama people – today we`re going to look at some rather exceptional new developments in the world of string theory. If you`re a proponent of holographic consciousness, quantum gravity or the cosmological horizon you are on the wrong page unless of course your name is Jimi Hendrix and you are reading from the nearest black hole.

This is a guitar blog and today we`re going to have a look at the new ‘guitar’ from legendary electronics pioneer brand MOOG (pronounced MOGUE – like Vogue). It also allows me to touch very briefly upon the theory behind exactly how your pickups work, because MOOG have almost reinvented the instrument….

moog guitar 460 80 Moog guitars, magnetics and other mad craziness

Not a guitar synthesizer nor a MIDI guitar or an effects processor; players are “intimately connected to The Moog Guitar because it works its magic on the strings themselves”. The Moog guitar has several options that relate to the concept of  “sustain” although the guitar does this intelligently and in real-time by listening to and reacting in synch’  with each strings vibrations across time.  This Harmonic Control System allows you to play with infinite sustain everywhere, sustained single and polyphonic lines whilst muting those strings you aren’t playing, or, to blend these two modes in either pickup whilst changing the frequency of the filter. The harmonic blend is a way of favoring some harmonics over others in a note. It changes the color, the tone or timbre of the instrument. The Moog Guitar strings have a higher metallic content than most strings and is more responsive to the elector-magnetism than most other strings. If you listen to the video below you`ll gain some idea of what`s happening here:

How this actually works is through using magnetic pick ups to actually change the MOTION of the strings..allowing you to mix up muted banjo sounds with sustained notes as you can hear. WHY SO?

Well, a magnetic pickup consists of a permanent magnet such as a AlNiCo, wrapped with a coil of a few thousand turns of fine enameled copper wire. The vibration of the string modulates the magnetic flux linking the coil, thereby inducing an alternating current through the coil of wire. This signal is then carried to amplification or recording equipment via a cable.

Here though is a guy who just doesn’t need anything but an amp, a guitar, a wah and a fuzzface. Yes it`s Jimi Hendrix inventing time travel in 1970. No-one else has been there yet. Hendrix has already invented it all…SINGULARITY and groove. Click here for my recommended Hendrix starter kit.

Cheers,

Jake Edwards

hendrix1 Moog guitars, magnetics and other mad craziness