Category Archives: guitar effects / pedals

rx5 USB Guitars Laptop Rock updatedEdit

Back in `81 Alvin Lee of the rock band Ten Years After released a studio solo album called RX5 featuring a gold robot playing an electric guitar in deep space. At the time album cover art was still hand painted and the notion of robots and guitars were simply an excerpt from the vivid imaginations of artists and science fiction afficionados. The hallowed album artist Roger Dean had created a trend of bio-cybernetics in his artwork fusing animal and machine in several of his pieces and perhaps this cover was an extension of this idea. If you want to hear some great Alvin Lee guitar playing it’s probably best to have a look at some of the Ten Years After material from the late 60`s.

Although a formidable live presence (see their legendary performance at Woodstock here) Ten Years After began as a jazz & blues, rock and roll fusion band that really made the most of Alvin Lee`s talented, energetic and idiosyncratic guitar style. I recommend the 1967 eponymous album Ten Years After, and Ssssh – if you can get the live at Steve Paul`s scene gig then even better.

What’s great about Alvin Lee is his swinging fusion of jazz and blues. I saw Lee live in London in the early 90`s and he was smoking. He played a scorching slide piece using a harmonica as a slide and he also used a drumstick in place of his right hand whilst burning through some ultra fast licks.

Anyway, the meeting of modern digital technology and the tradition of guitar manufacturing is continuing to blossom with plenty of new products that bring the two together and one of these is the inclusion of USB connectivity into guitars. IN SHORT what this means is that you can plug your guitar straight into your computer without the need for any interface. This allows you to jam directly alongside you Tube videos, or any other music source on your computer.

Hell, why would anyone wanna play through an ear bleedingly huge stack anyway?

OF course, this probably wont give you the ear splitting god like ultra-harmonics of Jeff Beck or Joe Satriani
but if you`re a composer on the move or you are a parent sick of listening to Johnny`s atonal guitar noodling then have a look at the JAM MATE UG1 because it`ll certainly take the headache out of the learning curve for everyone.

The Jam Mate has a discretely placed USB socket on the back, enabling a digital connection to the USB port of virtually any modern computer. The supplied software gives access to a huge range of presets  so you can create huge sounds without resorting to a stadium sized guitar rig. HOwever, if you still like the idea ofan interface have alook at the Line 6 Guitar Port.

54 stratocaster

If you happen to be the sickly offspring of an oil millionaire there`s no need to worry either – that 1954 Stratocaster isn`t going to waste either – there are plenty of other USB adapters that you can beg for to plug into your shiny new platinum laptop or home studio. Have alook at the LEXICON OMEGA studio or the DIGIDESIGN Mbox2 mini. I use an mbox mini myself and its a great interface for cleanly capturing song ideas quickly and what your microphones and instruments really sound like.

Next year I`ll be looking at robot guitars that completely remove the need for any player at all. BRILLIANT!
No bad haircut required.

Cheers,

Jake Edwards

In a recent post featuring Adrian Legg`s keith tuner fingerpicking genius I slyly and quietly suggested that Bill Frisell was definitely another idiosyncratic guitarist to look for in your listening research.

Bill has always been an exponent of an healthy array of effects – most notably delay, reverb, chorus and more rarely pitch shifters to create unique tones and sounds; a uniquity exaggerated by his jazz leanings combined with clean sustain and an emotionally oblique sense of  melody.

He does however ensure that his use of processing, or effects, don`t colour his sound in a way that might obscure the emotional intent or message and seems incapable of descending into gratuitous, meaningless affectation. Bill often sounds as if his notes are shards of ice slowly melting as they descend through warmer water and the overall impression is of a glacial and ambivalently jazz-blues fusion. It`s a novel approach to sound, feel and melody that conjures up a sense of constant ideation….like your distortion – sometimes it only counts when you turn it off. Use it in your own playing. If you`d like to achieve similar sounds consider adding a good old Fender twin reverb (or similar) to your set up, a delay pedal for broad stereo ambience, a touch of lexicon reverb and a little chorus effect.

Cheers,

Jake Edwards.

After a couple of weeks off playing an electric I decided to fire up my under the desk guitar rig which consists of a (boss RC-20X) Loopstation, a (Line 6 Echo Park) delay and a distortion box into a Music Man amp. After four hours it was about midnight and I was pretty burnt out but I whipped through the footage real quick and here are some random guitar snacks for anyone who gives a damn.

So, is there a marketplace for this (old school) style of playing? Well, plenty of people want to learn how to do it for sure, and it`s all in your hands and your ears for me. Buy the right albums too.
My commercial song based album project with reknowned producers Turei, George and 50hz is available here at www.jakeedwards.net:
When it comes to songwriting I just can`t sufficiently explain, no matter how hard I try, how, where and why to do it.

You need to talk to God about that one.

Yesterday we had a look at valves or vacuum tubes and today I`m going to take that thinking to echo. What kind of echo do you like? Crisp clear and digital? I`ve got a Line 6 echo park under my desk but that`s just because I use it for fun at work – it`s not really got the flavour and the behaviour I really dig. It`s just not tasty enough. If you really want to get fat rounded sounds then these are the echo units you should consider having a look into.

Gibson Echoplex
Roland Space Echo
WEM copycat
Binson Echorec
Blue coconut echoverb

The absolute beauty of tape based echo units lies in the fact that tape itself is analogue – moving the tape across a tape head polarizes the magnetic domains in the tape in proportion to the fluctuations in the audio signal. The granular nature of the magnetic material adds noise to the signal and because the magnetic characteristics of tape are not linear tape exhibits a characteristic hysteresis curve, which causes unwanted distortion of the signal. Any analog signal must theoretically have noise and a finite slew rate. It`s the imperfection in tape that makes the sound so delicious.

Whilst having a jam outside in the hot sun one year the copycat tape began to melt, decay and whither and this lead to some pretty crazy sounds coming through the p.a. and across the Surrey Hills. If you want to hear some Space Echo then maybe have a look at Adam Ants Table Talk from his unbelievably mind blowing 1979 release Dirk Wears White Sox. If you haven`t heard it buy it. It`s incredible IMHO.

   

Kia Ora Jake here. I just wanted to write a quick post in response to a few questions about guitar effects pedals. A boutique guitar effects pedal is most usually a hand built or a limited edition pedal built by electronic enthusiasts, or a modded (modified) pedal. Many people mod their Boss units for example. There`s a whole new world of quantum manipulation opportunities out there once you start buying some of the crazy and often deranged units. Obviously there`s time and a place for everything but if you want to continue along the consciousness bending, sonic roads of Jeff Beck, Jimi Hendrix, Frank Zappa, Tom Morello, Jonny Greenwood, Robert Fripp, Alan Holdsworth, Steve Hillage, Reeves Gabrels here are a few links to help you get really weird….soak up some of these, wring yourself out, and drink!

ANALOGUE MAN
MJM GUITAR EFFECTS
TONE FACTOR
PEDAL GEEK

There were a few being built inside small transparent soap boxes a few years back…great if you need to wash all those fingerprints from across the surface of your brain! Tomorrow I`ll be having a brief look at the analogue versus digital argument, just so we all know exactly what we`ve been missing…