Category Archives: guitar effects / pedals

I’ve often wondered what goes into making an amp or FX pedal. To me it’s all just wires and knobs and it’s often easy to gloss over the science behind the sounds.

One man who has always been interested in the science is James brown – no not the smooth moving soul funk meister, but the Chief Engineer for Kustom Amps and the owner of Amptweaker – a personal company that allows Brown to pursue his passion for handmade pedals and custom amps.

Where his site differs from the usual offerings of Amp and FX pedal makers, is that he takes his inspiration from customers. Only once an idea gathers enough support does he begin making the unit.

He’s come up with a range of pedals so far and his latest offering, released during the Summer NAMM, is the TightRock which came as a response to customer requests for a pedal in between two of his previously released pedals the TightMetal and the TightDrive. It was met with a lot of positive feedback from Artists and users alike at the NAMM show and is sure to feature in many people’s pedal collections.
newsletter14 review tightrock AmpTweaker   TIGHTROCK

The unique routing options mean you can loop a separate FX unit into the TightRock which is on when you stomp on the TightRock and colours the TightRock’s distortion. Not only that but with the TightRock’s SideTrack function, you can send the guitar signal to another FX pedal which can color the amp’s clean channel, turning a single channel amp into a 3 channel amp. These are just some of the options available to the user.

Learn more about the pedal from Brown himself as he cranks out some sweet sounds and explains the possibilities that come with the TightRock.

ab4e2097d32a3cfb2d407817c82c42dd AmpTweaker   TIGHTROCK

Posted by Dan Orr

Hello, Jamorama Students and fellow Rockstars,

Yesterday we took in our final day at the NAMM show. Being Saturday, it was the day where the big crowds turned out to see the big name artists and the big changes taking place in the world of music gear.

After seeing pretty much everything that’s being exhibited this year we thought it would be cool to share a couple of new developments here that we think you are going to like and that maybe, will change the way we interact with music in the future.

The first thing that really got us buzzing is the new Eleven Amp from Avid (the guys behind Pro Tools).

IMG 0026 300x225 NAMM Show Part II

They call it the killer rack because it puts professional recording and signal processing in the hands of every guitarist. Eleven has been an amp-cab-mic modeling software plug-in for pro-tools for some time now, but recently the avid team have developed the idea and turned it into a stand alone piece of hardware.

Taking Cool Processing technology from their Pro equipment TDM HD systems (big $$) and adding that to the software, Avid have produced a box that completes all the intensive algorithms that drive the complex software and delivers the audio to your speakers, amp setup and or via USB to your computer and pro tools environment with no latency.

The Eleven rack will suit the guitarist that is at the level where studio and stage is becoming part of their musicianship experience. This is a tool that will allow you to record your guitar straight into the digital world and have the end signal sounding very nice indeed. The quest for analog tone in the digital world drives these development teams project by project and the reality is that one day a cheap $100 guitar will sound like a rare 70′s telecaster through a 60′s fender combo.

The well trained ears have previous said, these emulation plug-in sounds are good, but they don’t sound like the real thing being mic’d up with the old 60′s combo.

James Michael – Producer, engineer,songwriter; motley crue, meatloaf, scorpions said, ” I’ve seen the potential for years with small preamps and amp emulation plug-ins, but Eleven is the first plug-in that can honestly replace the guitar amp.” Very exciting future for production.

Another interesting development is the new partnership between Fender Guitars and eJamming. We all know what Fender are famous for, but you may not have heard of the eJamming crew before. eJamming have been around for a few years now but it’s only recently that they have partnered with Fender and gained more exposure.

IMG 1947 300x225 NAMM Show Part II

Basically, eJamming is just that – jamming online. eJamming’s online platform allows you to connect and jam out with your friends and other musicians no matter where both parties are in the world. The Fender representatives we spoke to said the partnership was a natural progression for Fender and that they chose eJamming as it offers the lowest amount of delay in signal.

This is definitely worth checking out and it’s free to try, so you can test it out with your friends before signing on. Check it out here.

If you do get a chance to try these things out then please leave a comment on this post so others can read your thoughts about them.

So, that is it from us at the show for now. While we’ve shared only a few interesting highlights here on the blog, we’ve taken a lot more information away from the show that will help us develop a better service for all of you in 2010. Also, look forward to to more NAMM related posts in the next couple of weeks.

Cheers
Jon

Boss pedals 300x225 BOSS PEDALS

Boss have put together a basic interactive online pedal board that can help you configure and chain together some effects and sounds. If you are new to pedals then this is a great place to start. If you just want to listen to some great effected guitar then there is some awesome effect laden Ozric Tentacles and Steve Hillage space rock to listen to on our blog here!

It’s no substitute for heading down to your nearest guitar dealer and playing Stairway to Heaven for four hours but it might help get you in the mood.

Click here or on the picture to launch!

Cheers,

Jake Edwards

boss copy BOSS PEDALS

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At last…back by unpopular demand and fully loaded – it`s an introduction to the BOSS RC20XL loopstation filmed live in Escondido by none other than mongolian string twister and nocturnal riffmaster guitarist Jake Edwards. So, if you’re interested in finding out a little bit about what the loopstation can do then hit play below and enjoy the video.

Well, That`s all folks,
Cheers…

Jake Edwards

What’s ten years old, a furious red colour and squeels when you stamp on it?

NO, it’s not that; it’s the digitech whammy pedal.

47154 1 big Digitech Whammy

It’s been a decade since the Whammy pedal  was introduced and now it has a permanent place in the history of rock and roll. The Whammy not only adds to your playing, it creates new sounds, feelings and textures – - this is  what has made the Whammy pedal a legend.
The Whammy is simple to use – Take your guitar’s sound and pitch shift it using a special algorithm, then control that pitch with an expression pedal, like an extended pitch shifting wah-wah. So easy and so expressive that it takes your playing to a new world of quirky dive bombing insanity further than any tremelo arm can reach and create bends that can only be found on other instruments.

{this video contains profane language and alot of whammy pedal}

The Rage Against the Machine guitarist Tom Morello is famed for his guitar style, which consists of heavy metal/punk hybrid riffs and hip hop-inspired sounds. If you have heard Rage Against the Machine’s eponymous debut album you`ll know exactly what this pedal sounds like – it’s all over this record like a violent rash. Morello’s guitar playing is characterized by heavy use of guitar effects, such as delay, modulation, wah, harmonizers, distortion, feedback, and others in unique ways and combinations. The most recognizable effect in Morello’s arsenal is the Digitech Whammy and he combines the whammy with some thumping grooves and hard hitting riffs that have now become classics.

Well, That`s all folks,
Cheers…

Jake Edwards