Category Archives: guitar zen

Which is the right way to learn?

With the explosion of the internet and the vast cornucopia of you tube videos, tablature sites and other resources available online it’s easy to forget that one of the key skills for any musician is the ability to listen. Before the internet came along most of us learnt from records – through attempts to emulate or approximate the playing of artists we enjoyed listening to. Not from the internet but through learning songs from records and playing along with them.

Eric Clapton, no fool when it comes selecting his musical sources, has consistently reiterated that he listened and learnt his trade from artists such as Freddie, B.B. and Albert King for example. He didn’t use tabs – he learned by listening. Nuances come across in listening: listening cannot be written down; and while tablature can be a fast shortcut to playing a piece of music there is an invaluable experiential quality to be gained from using your ears.

Because listening is exactly what you`ll be doing when you’re playing along with a group or in the studio it’s a very highly valuable exercise for any guitarist. The particular qualities of any high calibre guitarist cannot be expressed in tablature form. What makes a guitarist exceptional is the  combination of technique, timing, phrasing and tonal quality that they bring to their playing – facets that your ear alone can pick up.

It takes a long time but its worth taking the time to train your ear through replicating the sounds that you hear on records. To begin with you`ll struggle and find it difficult, but over time the process will become easier.

GiantBabyEarClean Listening & guitar I

Being an imitator is the first step along the road to becoming a creator but there are ways of imitation. Looking up the tab on the internet is the fast easy way, but if you really want to develop then use your ears as well. Remember though the sound you`re really looking to find is the sound of yourself.

Remember if you have purchased Jamorama you’ll also have the GUITEARIT ear training software specifically designed for guitarists and it’s a great place to start training your ear in preparation for rocking out to your favourite songs and records. Groovy.

Cheers,

Jake Edwards

Yeah right!
The reality is that the Edge redefined rock/pop guitar sounds in a way that was highly distinctive, innovative and non-traditional way that originally fell like machine gun fire randomly across the cannon of guitar – blues, funk,  rock,  punk, new wave etcetera – that his sounds have now become mainstream and replicated to various degrees by many modern guitarists is testament to his vast impact on guitar focused pop music.
edge Gaining the Edge

When U2 released “The unforgettable Fire”  in 1984 the rest of the guitar world was listening to high tech, super fast shred metal and the Edge’s playing marks a triumph of melody, emotion and timing over a much more narcissistic focus upon technique and posturising – that it may have effloresced from a (perceived) lack of  ‘ability’  is almost definitely punk in ethos. A refreshing and unique approach and certainly no lack of insight, innovation or ability here!

It’s far more healthy to consider his guitar as a modern reiteration of some of Gilmour era Pink Floyd guitar (for example those four great notes that D.G. repeats on Shine on you Crazy Diamond) so, in a certain emotional sense could be considered anchored in the blues but with the old tradition & technique stripped away to leave the emotion echoing through a delay pedal combined with a position in the middle of the mix.

In this sense his playing is only about sound per se and a respect for the song dynamic: egoless, intense and always valid.

That there is a lack of traditional guitar motif and phrasing in the form of bends, rakes, legato &cetera means that really it’s a triumph of sonics over everything else. The Edges skeletal arpeggios have always been much more emotionally resonant.

Again being an individual is far more relevant then becoming a clone or slavishly devoting oneself to becoming a carbon copy of another – after all photocopies always appear a little bit rough and ragged about the edges.

the edge Gaining the Edge

Certainly Muse, Radiohead and Coldplay owe a debt of gratitude to the Edge.

“I’ve found so many guitar parts from using the echo – it’s limitless. The biggest difference between me and other players is that I don’t use effects to color my parts. I create guitar parts using effects. They’re a crucial element of what I do so I don’t consider them a crutch… They’re a part of the art.”

– Edge, ‘Total Guitar’, 2005

3/16
is the magic number!

If you are interested in re-creating the awesome sound of the Edge you will probably need two, yes that`s right, two delay pedals, and, if you have managed to beg, borrow or steal them then here are a couple of articles dealing with the pedal set up:

1.  http://www.5cense.com/Edge_Delay.htm

2. http://www.amnesta.net/edge_delay/

Here are two great songs, Electrical Storm and Gone by U2 featuring…the Edge!

Cheers,

Jake Edwards

There’s an awful lot of talk about tone and technique but talk is cheap and actions speak louder than words. One guitarist who never let anything get in the way of his playing is Jeff Healey, a blind but immensely talented and unique guitarist who played the guitar whilst it lay across his lap.

He lost his sight to eye cancer when he was a year old and was given his first guitar two years later. At a school for the blind, he was shown how to play the guitar the usual way but found it felt more comfortable on his lap. Among the first to recognise his talent was Albert Collins, one of blues music’s elder statesmen, who became his first champion and invited him to share the stage at a show in Toronto. Before he was out of his teens he had also played with Stevie Ray Vaughan and B. B. King. Jeff was also a highly talented trumpet player and a hot jazz afficianado releasing a series of jazz albums and amassing a collection of over 30,000 78rpm records.

78 165x300 Jeff Healey

Healey’s literally hands-on approach to the guitar gave him an unsurpassable level of attack & sustain rivalling that of Jimi Hendrix and Stevie Ray Vaughan which he combined with an absolutely devastating high octane thumb fretting technique and soaring string bends. I saw Jeff in the early 90`s in London and the performance was absolutely mesmerising, highly physical and intensely emotional.

If you’re struggling to find inspiration and the practice routine or lessons are getting you down perhaps try doing it with your eyes shut – sitting down is optional, unless you`re on the toilet, or in the car…

I’ve added the George Harrison masterpiece “While my guitar gently weeps” below because it affords some close up shots of Jeff’s hands in action. Sadly the cancer that robbed Jeff of his sight caught up with him in March 2008 and ended his life.

Cheers,

Jake Edwards

After the nuclear war there will only be cockroaches and Keith Richards!! So let`s get practicing…with  some general tips that you oughta bear in mind when you want to get all Zen on your fretboard.

1. Cultivate a desire to try and achieve excellence. But do so on your own terms!
When your lazy friends are down at the bar setting the world to rights you could stay at home beginning a journey to set either your own world on fire, or, even set the real world on fire. Progression naturally requires a level of dedication but don’t kill yourself – find the pace that suits you . It is NOT a race, just a journey. Excellence does not necessarily equate with conventional ideas of virtuosity – you may want to cultivate your skills as songwriter like Noel Gallagher or George Harrison for example. If you aren’t sure in which direction you`d like to go just watch the river flow – it`s no big deal.

2. Set yourself goals  – both  sensible  & unattainable.

Set yourself some goals and schedule your practice and try to STICK to IT.
Perhaps consider two goals:

A.
An aspirational one such as becoming as good as Jeff Beck (insert your favourite guitar maestro here) but also,

B.
A realistic, realtime short term goal:
for example “In six months I will be able to play Johnny B. Goode by Chuck Berry”.
Remember though it’s the journey not the destination that counts, a guitar is for life not just for Christmas if you want to go anywhere with it.

Don`t use your aspirational goal to beat yourself about though. Expecting to be able to play like (insert your favourite guitar maestro here) is akin to expecting to replicate the Cistine Chapel Ceiling on the interior of a ping pong ball – it’s a long hard difficult road walked only by those with a unique, god-given gift…you CAN begin to unlock that gift in even the smallest ways.

3. Find an environment that really works for you.

It may be outside beneath your favourite weeping willow or it may be in  a quiet corner of your barn – make it as comfortable and as appealing as possible with few, or no distractions or interruptions.
If you can and you are serious about progression try to practice alone in a silent area. Also get the right chair, I`ll sometimes find myself thirty minutes into a jam session only to realise  I`m curled up like a pretzel with a `dead` leg that feels like someone else’s! …no good man!

4. Make it easy…

…as the playing will initially be hard enough make it easy by using the tools that help. Buy the best guitar you can, buy a decent tuner and invest in learning materials that suit where you want to take your playing. Read this blog for more advice on the learning tools available. There is a veritable cornucopia of new digital practice tools such as the Ovation iDea guitar,  the Fretlight guitars, Loopstation pedal or Fender G-Dec amplifier.

5. Develop Routines and excercises

Start off with an easy rewarding warm up work before moving onto your structured learning path (or course) – this may be a couple of songs you really enjoy, so write them down,  and maybe singalong if it helps you relax. When you fist begin to play you may find a great deal of tension in your wrists, fingers and arms; try to learn to relax – it may take some time to lose that whole “stiff as a board”, heavy feeling but it will ultimately pass.

Remember to breathe properly and don’t fight the guitar – relax INTO it; if that makes sense.

If you are finding the wealth of learning materials at your disposal somewhat confusing, if you’re finding it hard to join all the dots don’t fret – take a step back and relax. Everything is interrelated and will ultimately become clear. There is no one method, way or route. Frustration will be gnawing away at your toes like a hungry dog – use it as fuel to try and figure things out.

If you are struggling to figure out musical theory then have a look at playing a piano because the piano keyboard is in a sense one single long guitar string and may help you clarify some of the more confusing parts of musical theory.

Piano+Keyboard+with+Letters ZEN guitar Practice.Another idea is to write, or using stickers the actual corresponding notes along the top of your guitar neck; and maybe on the fretboard itself using marker pen. Only do this if you are happy with bastardising your guitar…

6. Join a band – the fastest way to learn is from other more competent players. Use your ears and your eyes, ask questions, never be intimidated. EVERYONE was once a beginner and it’s a healthy tenet to try to always consider yourself a beginner, no matter how good you may be because there is no end to the guitar – it’s an infinite lifestyle decision.

7. It`s never too late to start and whatever happens don’t give up. If David Geffen isn’t ringing you up don`t worry. The journey is usually far more interesting than the destination anyway.

8. Make mistakes and every now and then try stuff well outside your usual playing boundaries. Experiment as much as possible and try unusual positions. Try sliding chords around or even moving them across the strings. Be unusual, be unique, be yourself, break the rules, do what you want.

9. If your fingers, hands and wrists are hurting then stop awhile and rest.]

10. Enjoy using effects and guitar toys but don’t fall into the trap of letting them do all the playing for you – one day you`ll  want to be at the stage where you compliment the effects and not vice versa.

11. Reward yourself afterwards with something you enjoy like “icecream”.

12. Try and listen to the right records for a start but don’t limit yourself to the world of guitar. Choose your poison for example  saxophonists Sonny Rollins, Roland Kirk and Miles Davis play some fantastic lead lines.

13. Adopt a meditational approach to your playing.

The nature of sound is infinitely associated with consciousness and there are interesting listening exercises you can perform.

Acoustically, a note perceived to have a single distinct pitch in fact contains a variety of additional overtones.

If you listen very carefully to just one note and work hard to train your ear you will begin to hear more than just the fundamental – try spending some time just playing single notes – what you hear most clearly is the fundamental (sometimes called the first harmonic) but it is accompanied by several frequencies known as partials, by several harmonics, overtones and undertones – try and hear them. You’ll need to concentrate though.  Some people like to think synaesthetically whilst playing and try to see different notes or chords  as different colours.

If you would actually like to experiment with sound colour have alook at

1. Metasynth – mindblowingingly powerful sound painting tool

2. Audio paint – FREE

Have a look at the book “Zen Guitar” by Philip Toshio Sudo – it’s about motivation and fulfillment, not technique.

11. Most importantly – make sure it’s fun.

I hope that this helps you to create an environment where you can engage with your guitar in a more philosophical sense and in a way that will inform and aid your learning – after all when you stretch that string you’re stretching your life!

Cheers,

Jake Edwards

joesatriani Guitar Players

What kind of guitar player would you like to be?

A shredder?

A melodic guitarist?

A rhythmic, percussive jazz fusion master?

A groovy funkmeister?

A country hot shot?

neil young

I`ve been to plenty of great gigs since back in the day and I`ve seen some hot guitar players – Jeff Beck, Eric Clapton, Alvin Lee, Carlos Santana, Jeff Healy, Johnny Winter, Jennifer Batten, The Edge, Joe Satriani, Ron Wood and Bob Dylan,  Keith Richards and The Rolling Stones, Pete Townshend and The Who, Martin Barre (Jethro Tull), Joe Satriani, Zappa, John MacLaughlin, Jack White, and those are just the guys I can remember.

ragged glory

What actually makes them great guitarists, in my humble opinion, is the levels of individuality and personality in their playing – yes there is a certain degree of technique in their playing styles, with Satriani definitely being very highly accomplished. But of all these acts although Satriani was undeniably good his show was the least engaging. If you want to communicate it`s all about feel and in this sense substance above and beyond style. That`s why Neil Young really cooks on the guitar.

Have a read of my post on unique guitar players here

Cheers,
Jake Edwards