Category Archives: music

When you first begin learning any instrument it is important to develop a clear picture of what you want to sound like. In other words, having an idea in your head of what style you want to be playing. You can save yourself a lot of time if your playing has a clearly focused goal. For example there is no need to learn metal guitar if your dream is to become a Country music guitarist.

While developing a clear picture of what you sound like is important you should never take that to mean being closed-minded about other styles and their techniques. It is important to try to develop an individual sound, but you should spend at least a portion of your time listening to other types of music.

In your musical life you will probably change styles at some point. This is natural and it is a sign that you are developing as a musician and as a guitarist. Some people begin playing folk music and Bob Dylan songs and end up playing hard rock, and vice-versa. So while you should have an idea about what you want to sound like be open minded about changing.

my very own sound LEARNING TO DEVELOP YOUR OWN SOUND ON THE GUITAR

What do I want to sound like? This can be very difficult or very easy depending on the individual. Some people are inspired to play the guitar like an individual or a band. For these people their style will generally mimic their favorite player. Also if you’re fond of a particular style you can learn the songs and techniques that fit that style.

For people who don’t particularly want to sound like anyone there is a bit more work to do to find and define a style. The best way to do this is to listen to a lot of music and try and play as many different styles as you can and see what you find the most enjoyable and rewarding for you.

Finding a sound that suits you can take some time. For some people this could be years. For others it could be a split second decision that comes from hearing a particular player. For others it may take some serious listening to a lot of different music to decide what they want to sound like.

Once you have decided on your style then it is time to learn how to play like that. The best way to do that is learn songs that are classics in the genre you want to emulate. This means learning a few of the most popular songs from that style and becoming familiar with the techniques used in this kind of song. It is a good idea to learn songs by a few different bands instead of just one. This is so you get exposed to a few different playing styles.

Related to this is using the right kind of guitar for the style you want to play. You don’t need to be too worried about playing the exact same axe as your favorite player. However you should have a guitar that is common with players of the genre you are trying to emulate.

It is a shared belief amongst the entire Jamorama Team that it is never too soon to start writing your own songs. Even if you can only write the most basic songs it is worth trying. You should try and add elements from the songs you have learned. You may find yourself writing stuff that is quite derivative initially, but that’s OK. Just keep working on your playing and trying to get the sound that you hear in your head into your hands and played on the guitar. Don’t get frustrated if you have trouble. Some players spend their entire life trying to get the sound they want. Writing your own music is very rewarding and will give you another direction in your musical life.

Mike EinzigerMike Einziger, lead guitarist and backup vocalist of top band, Incubus was born June 21, 1976 in Los Angeles, California. But he was not always quite so famous: “Here’s what I used to know about Mike Einziger: that when he was 9, he played on the same soccer team as my good friend Mike; that he was the only kid in my second-grade class who could breakdance; that his mom makes great pizza bagels; and that he went to Calabasas High School” – Keren Engelberg, School Friend.

It’s amazing to think that a simple profile like this can make you think so much differently about a fantastic star and how much he has been through since the most innocent of days in childhood. Mike was born into a Jewish family and studied in a Jewish run school before joining Calabasas High School. He spent two years at Kadima Hebrew Academy until second grade. He then attended Hebrew School three times a week after his usually elementary school classes. Mike continues to believe in his religious background but prefers to dramatise his life in the spiritual background rather than the religious. Since he has grown up and viewed life very differently from his youth Mike has branched his beliefs away from the traditional ways of Jadaism but continues to believe the basic principles that are taught by the religion.

Mike first picked up a guitar at the age of about 8 years old, in third grade and proceeded to take lessons for a couple of months but soon became bored with the monotonous teaching and decided that he’d teach himself ‘rock’ songs that were his passion. However, it took four years for Mike to begin his own teaching on the guitar having picked up a few bits and pieces in between. Mike soon became incredibly hooked and from that moment on spent every second of his free time trying to figure out songs. His first triumph was learning the theme to James Bond, before taking any lessons whatsoever.

Mike considers the music he creates as ‘rock’ and frowns upon accusations that today’s musical triumphs such as the albums; ‘A Crow Left Of The Murder’ and ‘Morning View’ are a mixture of funk and metal. Mike does not conceive that their style is anything like that although they have touched on those elements previously in their musical career. He sees the need for change in music otherwise the monotony of it encroaches on everyone that listens and it soon becomes very boring. So Mike chooses to describe their music as rock because it is an extremely loose term, which fits accurately to their ever changing style of music and lyrics.

Mike’s life is all about making music. The celebrity aspect that often comes with stardom holds no interest for the guitarist who feels no excitement at the prospect of large functions and simply says: “I just prefer to stay as far away from that type of energy as humanly possible”. In fact Megalomaniac touches on aspects of society where people look to the cameras for their joy, yet there are those as impassive to the scene as a human to an ant. People believe the song to be about George Bush, to whom Mike says “I think that guy sucks”.

And to that ‘Jewfro’ Mike is never without he says: “It’s not really a choice I have, actually. It’s kind of like — it’s nature. It’s what God gave me. It’s why I’ve been put on this earth”.

After the band met at College a firm friendship was wrought from the musical awareness and fondness that each of the artists shared. and ‘rockstarishly’ picked a name by sticking a finger on a word in a thesaurus! But it soon became clear that they were ‘destined’ for greater things. Brandon had the knowledge for writing powerful lyrics, but Mike had an understanding of those words and the ability to tweak their power with some splendidly written and recorded music. Each song was written with not just notes to make a tune, but a true understanding of what was required to add that bit extra to lyrics that already made Incubus something different.

There is no doubt that Brandon Boyd and Mike Einziger and the combined technical abilities of each of the band members have made Incubus what they were meant to be. They are a band, and brilliant artists in their own right. But brought together they form one of the most inspirational and powerful song making bands of this era.

If your interested in learning to play an Incubus song check out our Video lesson over at Songpond.com where Moses teaches you step by step to play “Drive” one of the bands more famous tracks.

November 29 and the RSR staff found themselves car pooling to Jon’s home for an amazing pot luck dinner and some quiet drinks prior to the Pearl Jam concert.

With full bellies and for some, a mild beer glow, we headed off to the AMI stadium eager with anticipation about the night ahead.

Luis brought the guacamole

Luis brought the guacamole

Parking wasn’t a problem thanks to Dan’s Dad’s business being situated only two blocks away from the venue and the Rockstar Recipes crew efficiently joined the steady wave of concert goers as the South Island grunge collective ascended upon the old Lancaster grounds.

Approaching the gates, the atmosphere intensified and you could tell that underneath the notorious Christchurch conservative exteriors there were a heck of a lot of rock ‘n’ roll fans bursting with excitement.

Liam Finn opened up while we found our seats and his energetic, indie rock felt very appropriate and really set the whole tone for the evening. Within the first three songs Eddie Vedder appeared on stage and performed alongside Liam much to the delight of the congregation.

By the time we found the right stand and got settled in Ben Harper and Relentless 7 were just kicking off and the show really did kick into second gear.
Once again it didn’t take long for Eddie Vedder to arrive on stage and together they performed ‘Under Pressure’ by Queen/David Bowie.

The crowd responded really well to Ben but as the sunlight began to fade and Pearl Jam came on stage and erupted into their set the stadium really did come alive.
The night grew colder but the light drips and drabs of rain didn’t seem to affect the crowd’s enthusiasm.

Eddie was a real gentleman and charmed the pants off the critical New Zealand audience with some well placed, locally geared anecdotes and a genuine concern for mosh-pit safety.

Ed Vedder Rocked the Stage

Ed Vedder Rocked the Stage

A real crowd pleaser, Eddie announced it was Matt Cameron’s birthday and thirty thousand fans all sang Happy Birthday at the top of their lungs.

The show rolled out like clockwork and Pearl Jam performed exceptionally well, musicianship was absolutely in the pocket and the set list was a very sensitive mix of old and new tracks.

This was the final show of the tour and after a good couple of years on the road these seasoned pros showed no sign of fatigue or lack of passion.
Pearl Jam live in Christchurch 09 definitely goes down in RSR history as an awesome team field trip and an unforgettable experience for the whole crew.

We’re hiring an Online Community Manager, experience necessary.

Rockstar Recipes is an award winning Christchurch, New Zealand-based Company that produces online educational resources to teach people to learn to play musical instruments. We have over 60,000 members and more than 330,000 page views a month.

We’re hiring someone to run our 3 online communities. Please read this entire post and then let us know if you’re interested.

Rockstar Team

Rockstar Team

The opportunity

Rockstar Recipes is an award winning Christchurch-based Company that produces online educational resources to teach people to learn to play musical instruments. They are a talented group of young people and have been in business since September, 2003.

The team at Rockstar Recipes are mad about music, teaching and technology and think they can change the way the world learns to play music.

Rockstar Recipes are now looking for someone to join the team who shares that passion, someone who genuinely wants to make a difference…

The right person for the job?

The Community Manager will be responsible for growing Rockstar Recipes 3 communities – Jamorama, Rocket Piano and SongPond.

They will be responsible for managing communications to these groups on a daily basis, mediating disputes, retaining members and evangelizing for our brands.

As well as speaking on behalf of Rockstar Recipes you will be an advocate for our community members; monitoring and listening to conversations, engaging customers, responding to requests, conducting research and facilitating the relationship between customers and product developers.

Significant base salary. Rockstar Recipes offers great benefits for full-time employees.

How to apply

Visit our website for all the details.

In a world of increasing homogeneity and gratuitous eulogising of the mediocre by the media simply for what appears to be the sake of having something to talk about, it’s a rare  sight to behold aberrations to the normal especially in the form of unique and uncompromising talent.

 Paul Ubana Jones Fingerpicking

When the marketing machine itself seems to become more a part of the product it promotes than the product itself, when the inherent qualitites of individuality have been crushed under the weight of commercialism and when all the corners have been knocked off, rounded down and filed into a useless dust by the “machine” then what is there left of real, intrinsic value?

Luckily some artists are born with a respect for their art and instrument and a no holds barred approach to quality control,

When it comes to modern acoustic fingerstyle guitar Paul Ubana Jones is one of the highly regarded champions, perhaps even a pioneer, of a unique and highly expressive, soulful approach to acoustic guitar that he effortlessly combines with song.

Paul fuses a bold approach to tunings, percussive harmonics, and melody with a highly fluid picking technique and soulful intensity to deliver a wonderful mixture of an almost funky, Hendrixy and blues-rock approach to the bass end of the groove with European flavoured folk and progressive classical motifs, leads, lines, hybrid arpeggios, blues picking styles and more. It`s a very modern and expressive mix of technique, soul and talent.

Born in London and playing guitar by the age of 11, Paul graduated from a London music college, where he studied guitar and cello, and began to forge the solo acoustic style that he has stuck to and developed over the years.

In the late eighties Paul and his family moved to New Zealand, which is still their permanent home. He has continued to perform internationally, to growing acclaim. Concert performances include opening for the likes of Bob Dylan, Patti Smith, Taj Mahal, Keb Mo’, Tuck and Patti, and Crowded House.

wp New Zealand 1680x1050 Paul Ubana Jones Fingerpicking

Understandably Paul’s “off the hook” skills aren’t something that’ll come to you overnight, unless you’re friends with the devil, but, to compliment the awesome Blind Blake style fingerpicking lesson from Jim Bruce, Paul’s approach to fusion expands upon an already eloquent vocabulary.

So, here is Paul discussing one of his clawhammer thumb picking patterns.

Whilst this may be out of your playing depth technically Paul describes some helpful techniques in approaching fingerpicking such as focusing upon a relaxed hand and extracting and concentrating upon the the rhythm of the left hand – it`s well worth spending some time in trying to apply Paul’s advice to your own picking practice regime.

Cheers,

Jake Edwards