Category Archives: learning

Becoming a professional musician is a long, hard road. However this is not to say it is impossible. Anyone with a desire to become successful at something can do it. This applies to music and any other field that you could want to apply yourself to. When I first decided that I wanted to dedicate my life to music many people questioned my decision. However in my mind I knew that I had a passion to become a successful artist and that nothing was going to stop me. This is the most important part of becoming a professional. The simple fact is the entertainment industry is the most fickle industry out there, it’s hard and there are ton of people trying to ‘make it’.

I was born in a small town and grew up playing the bars and clubs there, making a small amount each week, but I wanted more. I initially thought that the only way that I would make a ‘decent’ living would be to become a famous musician and to be able to tour the world in my private jet (well I never quite got a private jet but I did manage to tour extensively overseas).

Most people, like myself initially, think the only money in the industry is with being a famous musician and many people overlook the other options that are out there to make money from your guitar. Here are a few ideas:

- Teaching guitar (once you have mastered the skills share them with others for a fee)
- Making/designing guitars or amps (if you are handy with tools or electrical knowledge this could be an option)
- Playing covers in café’s/bars (there is a large market for playing songs that everyone knows and loves)

The most important thing, however, is to DECIDE you’re going to succeed and don’t let anything or anyone stop you. Like anything, just stick at it and you will succeed. Well, that’s about it for this newsletter. Next week I’ll talk about the Star Spangled Banner, and in our Tech Tips section I’ll answer a question about getting a “metal” sound on your guitar.

Good luck with your practice.

Posted by Ben Edwards.

After the last post on listening and guitar  it’s time to focus upon one of the world’s greatest listeners, Evelyn Glennie, the Scottish virtuoso percussionist who has been profoundly deaf since age 12.

This does not inhibit her ability to perform at the international level. She regularly plays barefoot for both live performances and studio recordings, to better “feel” the music. Glennie contends that deafness is largely misunderstood by the public. She claims to have taught herself to hear with parts of her body other than her ears.

In the photograph at top we can see Evelyn with English guitarist, composer and improviser Fred Frith who uses some highly unusual and  enlightening techniques. Here is Evelyn discussing how to listen with your whole body rather than simply using your ears.

Indeed, this is a highly valuable lecture for any musician and the reason I’ve included it here on the Jamorama guitar blog is because of the highly tactile nature of the guitar – especially the electric guitar – and how the guitar as an instrument makes such a tight connection possible between physical approach (strumming, fretting, vibrato etcetera), the intellectual (musicality) and the emotional. Remember there are no rules and no right or wrong – we all hear differently, we all play differently! Groove to the beat of your own drum.

Cheers,

Jake Edwards

If you’ve ever found yourself in a situation where having your guitar with you to practice or warm up on just wasn’t possible, the Shredneck might solve that in future instances. Touted as the ‘ultimate practice and warm up tool for guitarists’ if frees you from the need to have your ‘full sized’ guitar with you at all times.

It’s small enough to tuck into your bag and whip out on the train, bus, at the office, in front of the TV when you have a moment to spare to work on your guitar techniques. Kitted out with strap knobs it also allows you to warm up when gigging so you’re ready to rock when it’s time to go on.

newsletter27 gear shrednecksm ShredNeck

While it does have tuning pegs, they’re not intended to be used like those on a standard guitar. Instead, you use them to alter the string tension to replicate the feel of your guitar in effect allowing you to practice on your guitar without actually having your guitar with you.

This headstock also doubles as the body of the guitar so you can grip the Shredneck, keeping the neck steady while you practice your licks. As you can tell it’s not your usual guitar but with the first 7 frets of a guitar neck, you’ll have plenty to work with.

You can work on your fingering techniques, from those lightning quick lead runs, chords or just simply warming up in anticipation of playing your ‘real’ guitar. However, it’s not really set up for working on your picking technique as there is no place to pick the strings in the same way you would on a standard sized guitar.

The guys at Shredneck are passionate guitarists and as such don’t make claims as to any medical benefits of using the Shredneck – as other ‘hand exercisers do’. Instead they see it as the closest thing to playing the guitar without actually playing the guitar. With the ability to always have a guitar on hand, you can continually work on your playing techniques to increase your effectiveness when it comes time to play the real thing.

Check out this video to see Sonny Lombardozzi run through some exercises he uses on the Shredneck to stay primed.

ab4e2097d32a3cfb2d407817c82c42dd ShredNeck

Posted by Dan Orr.

If you haven’t already searched the slew of music apps available for the iPad, you won’t be surprised to learn that are some great guitar apps worth checking out. One such app is Agile Partners’ Guitar Tool Kit 2.0 featuring a number of essential tools any guitarist will benefit from.

For a very reasonable fee ($9.99), you can load your iPad, iPhone or Ipod Touch up with a tuner, metronome, chord, scale and arpeggio library. The tuner will give you accurate tunings not just for 6 string guitars, but also 7 and 12 as well. It also support 4, 5 and 6-string bass, banjo, mandolin and ukulele, with alternate tunings for each instrument. You can also dial in your own custom tunings.
newsletter25 review agilepartners Agile Partners Guitar Tool Kit 2.0
The metronome can be run in the background while you use other Guitartoolkit tools. It features a tempo tap pad, 25 sound effects and 22 time signatures meaning you’ll be keeping rock steady rhythms from now on.

The massive chord library gives you over 2 million chord diagrams, scales and appegios so you’ll never get stuck finding a chord and if you need to transpose a song, you can add in a capo and the chords will automatically adjust for the new key. For scales you can simply click on a note and a range of possible scales will be displayed. You just need to know how you use them.

There’s also an app upgrade ($4.99) that will give you the Advanced Metronome (for your iPad now and iPhone/Touch soon), giving you the ability to create your own drum beats with 32 instrument tracks and 75 distinct sounds to make your practice sessions all the more fun.

You’ll also be able to create your own interactive chord sheets and print or email them to a band member or friend. Click on any chord in the progression you’ve created and hear how it sounds.

And if that wasn’t enough, you will also have 60 instrument sounds at your fingertips to create custom instrument sounds for both acoustic and electric guitar through Agile Partners’ AmpKit tone engine.

For a quick video overview, check Agile Partners’ release video.

If you want essential guitar tools at your fingertips then Agile Partners’ Guitartoolkit 2.0 is well worth considering.

ab4e2097d32a3cfb2d407817c82c42dd Agile Partners Guitar Tool Kit 2.0

Posted by Dan Orr.

head in sand 300x236 Playing the blues   its as easy as 1, 4, 5

Playin’ tha blues – it aint no big thing and it aint nobodies business if i do!

To play the blues you only have to count to five. Well holy schmoley Batman! That`s one number too darn many fo` some! Right , look out people because today’s post is about as much fun as a mouthful of sand – dry, uncomfortable and nitty-gritty; but just like  your monster-in-law its a necessary evil if you want to reap the rewards!!!

The blues is built almost exclusively around I – IV – V

leadbelly Playing the blues   its as easy as 1, 4, 5

Let’s refresh what we’ve learned so far about scales and chords.
Before you learn how to form certain chords you must first learn about scales.

A scale is a series of notes that play in an ascending and descending manner. For every scale (major or minor) there are 7 notes, for example in the key of C the notes are C – D – E – F – G – A – B.

The 8th note (in this example C) goes back to the root note but an octave higher.

Each note of a scale has a corresponding number from 1 to 7. So for the key of C it will be as follows:
C = 1
D = 2
E = 3
F = 4
G = 5
A = 6
B = 7

In order to make a major triad you will play the 1st + 3rd + 5th notes of a major scale.
In our example it is C – E – G, that’s the C major chord.

Let’s have another example this time using the C minor scale:
C = 1
D = 2
Eb = 3
F = 4
G = 5
Ab = 6
Bb = 7

In order to make a minor triad you will play the 1st + 3rd + 5th notes of a minor scale. In our example it is C – Eb – G, that’s the C minor chord.

Roman Numerals

Sometimes instead of numbers Roman Numerals are used instead. We go back to our example and use a Roman Numeral for each note in the key of C:
C = I
D = ii
E = iii
F = IV
G = V
A = vi
B = vii

Those with a Roman Numeral that is capitalized (I, IV, V) represent notes from which the major chord is built. While those that have lower case numerals (ii, iii, vi) represent notes from which minor chords are built.

The I, IV and V Chord Pattern

For each key there are 3 chords that are played more than others known as “primary chords”. The I – IV – V chords are built from the 1st, 4th and 5th note of a scale.

Let’s take the key of C again as an example, looking at the illustration above, you will notice that note I on the key of C is C, note IV is F and note V is G.

Therefor the I – IV – V chord pattern for the key of C is:
C (note I) = C – E- G (1st + 3rd + 5th note of the C scale)
F (note IV) = F – A – C (1st + 3rd + 5th note of the F scale)
G (note V) = G – B – D (1st + 3rd + 5th note of the G scale)

There are many songs that have been written using the I – IV – V chord pattern, “Home on the Range” is one example. Practice playing the I – IV – V chord pattern for every major key and listen to how it sounds as this might inspire you to come up with a great melody for your song.

Here’s a handy table to guide you.

I – IV – V Chord Pattern
Major Key         – Chord Pattern
Key of C                C – F – G
Key of D               D – G – A
Key of E               E – A – B
Key of F               F – Bb – C
Key of G              G – C – D
Key of A             A – D – E
Key of B             B – E – F#
Key of Db          Db – Gb – Ab
Key of Eb          Eb – Ab – Bb
Key of Gb         Gb – Cb – Db
Key of Ab        Ab – Db – Eb
Key of Bb         Bb – Eb – F