Carefully crafted to exacting precision, they’ve reproduced Kirk Cobain’s “battle-hardened left-handed Jaguar” including all the unusual details and the unique electronics that were on-board when Cobain first acquired the guitar in 1991.

Just some of the unique features included is the Stratocaster® Headstock, the Volume, Volume, Tone Control configuration, Adjusto-matic™ Bridge and Road worn aged finish. All this adds up to a very authentic copy of the axe used by Cobain, the left handed guitarist who “led a musically stunning and culturally subversive movement.”

So why would you want a copy of something like this if you want to do more than merely emulate a bygone musical era? I think the reason is two fold. First, inspiration. We take our inspiration from people that have been successful in the past. Perhaps secretly, hoping that some of their magic will rub off on us. Inspiration is quite different to taking something old and making it new. It’s about taking the essence of something old and creating something new with it.

And second, tone. Every guitar ever made has a unique tone because of the natural qualities of wood. A tree, when cut down, continues to ‘live’ as it changes with age. And while each Kurt Cobain Jaguar will have its own unique tone, unable to be replicated by the next one, each one will have within it an aspect of the tone that Cobain made famous.

Yes, there are guitar effects that color a guitars sound, but switch them all off and what you have is something raw. Something stripped back and complete. Something…unique.

Check out the sound of this beauty with BrewersArcade video:

Posted by Dan Orr.

As previously mentioned, the iRig interface adapter enables guitarists to plug their guitar into their iPhone and not only apply great sounding effects to their guitar via the FREE Amplitube application, but also record those great sounds.

The VocaLive app for iPad is yet another release, following on from the success of the iPhone version and provides a one stop shop for singers or songwriters. Touted as being the “first professional performing and recording vocal processor for iOS”, the app just oozes ease of use and is packed with essential effects to bring to life your next performance.

It comes with a suite of 5 dedicated vocal effects (pitch correction, choir hamonizer, voice doubler, vocal morpher and de-esser) that can be applied to your voice in real-time along with a further 7 effects specific to vocal processing (reverb, EQ, compressor, delay, envelope filter, chorus, phazer) that can be combined in a 4 processor chain.

The single-track recorder is expandable to a full 8-track recording studio through an in-app purchase which will give song writers plenty of scope to record new and interesting tracks.

For the novice vocalist, there are enough preset functions to enable you to get up and running quickly leaving plenty of room for more advanced features and effects as you become more familiar with the application and confident with your recording.

VocaLive can be used with the iPads in-built microphone, headphones with a built-in mic or IK Media’s very own iRig mic – the first quality hand-held condenser mic for iOS.

As you will see in the following videos, using VocaLive is both easy and fun to use as well as producing really professional sounding recordings.

With the continuing development of technology and the ability for users to create their own music, VocaLive and applications like it place the tools firmly in the hands of the user to capture their own creativity. There’s little wonder that the internet is bursting with quality user content and there are no signs it will slow down. Have you got yours?

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Posted by Dan Orr.

Taking their style inspiration from their amp selection, the Marshall Major Headphones (in a variety of colors – including eye-popping white) are a stylish set of cans that reproduce your music with pronounced bass and crisp treble.

The earcups are soft, comfortable and fit snugly over most ears letting very little, if any sound out, for less disturbance when in the company of strangers. The head band has the same rugged good looks and bears the same Marshall Texture.

True to vintage stylings, they come with a stretch cord which helps considerably with the portability factor, eliminating the need for the unwieldy, tangle prone alternatives. When it comes time to take them, they’ve been designed to be fully collapsible for easy storage and safe travel.

They also come equipped with an in-line microphone and remote for use with cell phones or Skype calls incorporating the 3.4mm standard. A 6.3 mm adapter comes with the Majors for use with your amplifier, stereo or any sound source requiring a 6.3 mm jack.

Admittedly, you are paying a little extra for the Marshall name on the headphones which doesn’t necessarily correspond to much better sound for your dollar, but if you’re willing to shell out a little extra for great looks, you won’t be disappointed.

If you are looking for someone else’s point of view, check out this great review made by Unboxtherapy.

Posted by Dan Orr.

It’s small enough to tuck into your bag and whip out on the train, bus, at the office, in front of the TV when you have a moment to spare to work on your guitar techniques. Kitted out with strap knobs it also allows you to warm up when gigging so you’re ready to rock when it’s time to go on.

While it does have tuning pegs, they’re not intended to be used like those on a standard guitar. Instead, you use them to alter the string tension to replicate the feel of your guitar in effect allowing you to practice on your guitar without actually having your guitar with you.

This headstock also doubles as the body of the guitar so you can grip the Shredneck, keeping the neck steady while you practice your licks. As you can tell it’s not your usual guitar but with the first 7 frets of a guitar neck, you’ll have plenty to work with.

You can work on your fingering techniques, from those lightning quick lead runs, chords or just simply warming up in anticipation of playing your ‘real’ guitar. However, it’s not really set up for working on your picking technique as there is no place to pick the strings in the same way you would on a standard sized guitar.

The guys at Shredneck are passionate guitarists and as such don’t make claims as to any medical benefits of using the Shredneck – as other ‘hand exercisers do’. Instead they see it as the closest thing to playing the guitar without actually playing the guitar. With the ability to always have a guitar on hand, you can continually work on your playing techniques to increase your effectiveness when it comes time to play the real thing.

Check out this video to see Sonny Lombardozzi run through some exercises he uses on the Shredneck to stay primed.

Posted by Dan Orr.

Learning how to tune your guitar is an important skill to learn if you want to become a guitar player. Having a guitar that is in tune will make a massive difference to how good your playing sounds. There are quite a few methods for tuning your guitar, some that you will use more than others. Still, it is good to know how to use all the methods that are available.

The most common way of tuning a guitar, is to itself. To do this you tune all your strings from the bottom (thickest) string up to the top string (thinnest). To do this you press down on the fifth fret and tune the A string (second thickest) so that is sound perfectly in tune with the bottom string with the fifth fret pushed down.

Repeat this process to all the strings except for the B string (second thinnest) which you press down on the forth fret on the G string (third thinnest) to tune.

The electronic tuner is probably the easiest and most effective way of tuning your guitar to correct pitch. With an electronic tuner you can get a very accurate tuning because it actually measures the sound wave frequency of your strings. Take your tuner and pluck each string individually until each string is perfectly in tune. Remember a guitar is tuned from top to bottom EBGDAE.

You can try tuning your guitar to another guitar. For this method take the guitar that is in tune and try and tune each string on you guitar so that you can hear that each string vibrates in tune with the other.

Regardless of whether you set out to learn a few simple chords, or if you just want to be the next biggest thing to grace the music world. When you pick up an instrument you are going to have to practice if you are to have any hope of getting better.

Try all these methods to tune your guitar to see which one works best for you.

Posted by Ben Edwards

The effect is what you would get if you lightly placed your finger over the strings at a harmonic node and struck the strings. The most common and strongest harmonic nodes are at the 5th, 7th and 12th frets (and 17th if you can reach it).

Also, unlike conventional capos that allow you to only play in-front of where the capo is placed, the harmonic capo, allows you to play both in-front and behind the capo opening up a whole range of possibilities worth exploring.

The harmonic capo works in tandem with open tunings such as open C (Low to high: CGCGBE) open G tuning (low to high: DGDGBD) or open D tuning or DADGAD. With an open chord being played with no fingers being placed on the fretboard, this enables you to explore different melodic runs while adding in colorful harmonics throughout.

Of course, if you’re new to open tunings, it’s worth taking some time to familiarize yourself with the different shapes to produce chords of one tuning, before moving onto another. It might be helpful at this point to write down all the notes of the fretboard as they have changed with the tuning to get a better picture of what your working with.

With all this in mind, use of a Harmonic Capo really benefits finger style playing but that shouldn’t really stop anyone, who is interested in exploring the possibilities the Harmonic Capo offers from having a go. If you’re intrigued to hear some examples, head over to Bob Kilgore’s site and watch a few of his videos. Check out the video below, a number of excerpts from his latest CD offering.

His playing is sure to inspire you to push your playing in a new direction, even if you return having decided that it’s not the path you wanna take.

Enjoy!

Posted by Dan Orr.

For a very reasonable fee ($9.99), you can load your iPad, iPhone or Ipod Touch up with a tuner, metronome, chord, scale and arpeggio library. The tuner will give you accurate tunings not just for 6 string guitars, but also 7 and 12 as well. It also support 4, 5 and 6-string bass, banjo, mandolin and ukulele, with alternate tunings for each instrument. You can also dial in your own custom tunings.

The metronome can be run in the background while you use other Guitartoolkit tools. It features a tempo tap pad, 25 sound effects and 22 time signatures meaning you’ll be keeping rock steady rhythms from now on.

The massive chord library gives you over 2 million chord diagrams, scales and appegios so you’ll never get stuck finding a chord and if you need to transpose a song, you can add in a capo and the chords will automatically adjust for the new key. For scales you can simply click on a note and a range of possible scales will be displayed. You just need to know how you use them.

There’s also an app upgrade ($4.99) that will give you the Advanced Metronome (for your iPad now and iPhone/Touch soon), giving you the ability to create your own drum beats with 32 instrument tracks and 75 distinct sounds to make your practice sessions all the more fun.

You’ll also be able to create your own interactive chord sheets and print or email them to a band member or friend. Click on any chord in the progression you’ve created and hear how it sounds.

And if that wasn’t enough, you will also have 60 instrument sounds at your fingertips to create custom instrument sounds for both acoustic and electric guitar through Agile Partners’ AmpKit tone engine.

For a quick video overview, check Agile Partners’ release video.

If you want essential guitar tools at your fingertips then Agile Partners’ Guitartoolkit 2.0 is well worth considering.

Posted by Dan Orr.

Over time their images of the artist’s setups have changed so that now they are both easy to understand and very nice to look at.

Ever wanted to know just what Clapton was using in his days with the Bluesbreakers? The year is 1966 and Clapton is playing his 1950s Les Paul’s Standard through a Marshall Combo. Wanna know what speakers and tubes were in that model? Those details are all but a few clicks away.

While it might be hard to track down this particular model with a modest price tag, the information provided gives you a decent head start on what to look for and what could be possible.

And if nothing else, this information will add to your ever growing understanding of great tone. You can be pretty sure that the information provided on the site are sound, given that most of the information comes from the artist’s or their guitar tech’s mouths.

And with this type of direct contact you’ll find the occasional gem of behind the scenes takes from the artists themselves on their gear or band members and/or techies on the artist.

A great resource for geek-ing out and putting together the dream set up, should all your stars align and you win the lottery. Take a look.

Posted by Dan Orr.

The Triple Rectifier Head is one more example of this ongoing development of great sounding amps. Following on from the success of the patented Dual Rectifier ® series, they introduced a third channel upping the gain to a massive 150 Watts (switchable) and adding more switchable modes to increase the sonic possibilities.

Each channel has a separate 5 way EQ to control the Bass, Mid, Treble, Presence and Master settings as well as a separate gain for each channel. There’s also the option to choose what power setting you want: 150 Watt or 50 Watt, so you can play at a lower level while maintaining the high gain crunch.

In addition to these individual channel settings you have and Output section that allows you to alter, up or down all channels in one go. The Main output allows you, once you’ve locked in each channel to your desired sound, to boost or lower the overall output volume of all channels at once. The Solo switch, gives you another volume setting that is applied (in parallel) over all channels for Solos – which is also foot switchable.

Each channel gives you the choice between two types of rectification to apply; Silicon Diode for tighter low end tracking, more head room and a more articulate sound and Vacuum Tube for less head room, a sweeter and less articulate sound.

And for tuning in silence, they now have a dedicated Tuner output so you can tune without everyone listening in.

Not only is this amp packed with great sound options, you also get a choice of front panel from the iconic diamond plate, black taurus or jute to match the look and feel you best matches you.

There are so many options packed into the Triple Rectifier that you’ll want to spend some serious time experimenting with. Of course, the Mesa guys give you heaps of tips and technical know-how within the user manuals, which are available online and make for easy and informative reading.

I’ll admit, 150 watts is a massive amount of noise potential and not one that I’m accustomed to using. But that wouldn’t stop me from taking a test drive. Check out the video below to hear some of the boundless options the Mesa Boogie Triple Rectifier is capable of.

Posted by Dan Orr

“…the obnoxious stink of a too loud electric guitar… now that’s my idea of a good time.”

Frank Zappa

If you really want to make ridiculous, obnoxious, weird and strange sounds then your first stop is an electric guitar – your next stop is an amp and some crazy effects chained together.

If you really want to take a journey to the end of the line then Fred Frith might just be your man.  Just don’t expect to come back feeling anywhere near normal!

Somehow or another Fred sounds as if he’s playing underwater,  in zero gravity, or dissembling his instrument inside a piano of sublime gargantuan dimensions with Mark Z. Danielewski as his conductor!!

If you are really keen on pushing the envelope then some of Fred Frith’s ideas might just float your boat!

Fred has managed to forge a career using an approach to guitars and playing that remains quite clearly so far left of centre it is almost inside out. Welcome to the avant garde world of guitar but, like Jazz, if you have to ask…you’ll never understand!

Fred must be doing something right or wrong even – try playing the second and third video clips ABOVE  simultaneously – they sound great together. Here is a link to some of Fred’s work – the seminal album guitar solos which contains absolutely nothing of the sort – is worth a listen because it is, in fact, surprisingly listenable and if you don’t like it your tropical fish probably will.

PEAK FREENS!

Cheers,

Jake Edwards.