Today we`re going to have a look at English guitarist and musician John Martyn – an electrifying guitarist and singer whose music blurred the boundaries between folk, jazz, rock and blues:

His first album London Conversation remained more strictly folk oriented in terms of genre but what made Martyn particularly unique was his guitar set up whereby he ran his acoustic guitar through a fuzzbox, a phase-shifter, and an Echoplex which he used to produce more progressive rock styled guitar motifs within the broader contexts of the folk-jazz idiom. This approach begins to be heard on his second album Solid Air is reinforced on Storm Bringer and also on his more atmospheric, reggae infused One World album.

It`s definitely worth illuminating Martyn’s individual approach to his effects and equipment as a key factor in defining a highly individual sound and approach within folk music.

If you like John`s layered, fractal and atmospheric sound maybe consider having a look at the ROLAND SPACE ECHO PEDAL in combination with some classic fuzz boxes from Electro Harmonix John Martyn   fuzz box folk

Well, That`s all folks,
Cheers…

Jake Edwards

2 Comments to John Martyn – fuzz box folk

  1. ianmcgeachy's Gravatar ianmcgeachy
    October 29, 2009 at 9:30 pm | Permalink

    Thanks for this….I’m trying to recreate his classic acoustic guitar + echoplex and effects sound from the 70s. However I use the line6 dl4 raher than Roland space echo in that. He also used the volume pedal coming after the delay (echoplex). I think he also used a separate sustain pedal (sometimes?) as well as the Big Muff fuzzbox, both being in series to the amp after the echoplex. He achieved a balance ‘raw’ to ‘processed’ by using two separate pickups-a mag pickup thru the delay + effects side to one input of a fender twin amp, and the other piezo/ceramic pickup direct to the other input of that amplifier. The question of if he used a separate sustain pedal in addition to the fuzz box I would be interested to know any answer. To my knowledge the sounds he got -due to his unique tunings and amazing ability in playing- have so far never been faithfully/closely duplicated, some 30 odd years on!!!

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