Tag Archives: Boss

Boss have been creating guitar and bass effects for over 30 years and in their own words are known as the company “that put the “stomp” in “stompbox”. Not only have they developed a wide range of individual stomp pedals dedicated to a single effect (like the Boss DD-3 Digital Delay pedal) or function (Boss TU-2 and 3 tuners), but also multi-effects units and rhythm machines for musicians of all types.

Weighing in at just 1lb, this is one robust pedal that will faithfully replicate any sound you send through it with pin point accuracy. Options for guitar lick altering goodness include: three auto delay modes – 50ms, 200ms and 800ms. You can also manually adjust, to pin point accuracy an exact delay time from as low as 12.5ms to 800ms as with the auto mode.

The Hold Mode allows basic looping of a chord or lead lick. After playing the section you want to ‘hold’, engage the pedal and you will continue to hear it until you release the pedal.

It runs on both mains power and DC9V cells so can easily be added to your pedal arsenal by daisy chaining the power or stand alone with the DC9V. If using the latter, remember to unplug your leads when not using the pedal to conserve your battery.

For more delay options, consider the DD-7 which expands on the functions of the DD-3 and DD-6 with expanded delay times, new delay modes, external control option – allowing for tap delay and stereo output. While the DD-7 boasts more features than its predecessors, it’s interesting to note that Boss still sell more DD-3s, so it seems simple is sometimes better.

For a faithful digital delay pedal with little or no learning curve, essential features packaged in a robust and compact pedal, you really can’t go past the Boss DD-3 Digital Delay.

To hear the sonic effects capable with the DD-3 check out this video:

ab4e2097d32a3cfb2d407817c82c42dd BOSS DD 3 Digital Delay

Posted by Dan Orr

Boss pedals 300x225 BOSS PEDALS

Boss have put together a basic interactive online pedal board that can help you configure and chain together some effects and sounds. If you are new to pedals then this is a great place to start. If you just want to listen to some great effected guitar then there is some awesome effect laden Ozric Tentacles and Steve Hillage space rock to listen to on our blog here!

It’s no substitute for heading down to your nearest guitar dealer and playing Stairway to Heaven for four hours but it might help get you in the mood.

Click here or on the picture to launch!

Cheers,

Jake Edwards

boss copy BOSS PEDALS

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Yesterday we had a look at valves or vacuum tubes and today I`m going to take that thinking to echo. What kind of echo do you like? Crisp clear and digital? I`ve got a Line 6 echo park under my desk but that`s just because I use it for fun at work – it`s not really got the flavour and the behaviour I really dig. It`s just not tasty enough. If you really want to get fat rounded sounds then these are the echo units you should consider having a look into.

Gibson Echoplex
Roland Space Echo
WEM copycat
Binson Echorec
Blue coconut echoverb

The absolute beauty of tape based echo units lies in the fact that tape itself is analogue – moving the tape across a tape head polarizes the magnetic domains in the tape in proportion to the fluctuations in the audio signal. The granular nature of the magnetic material adds noise to the signal and because the magnetic characteristics of tape are not linear tape exhibits a characteristic hysteresis curve, which causes unwanted distortion of the signal. Any analog signal must theoretically have noise and a finite slew rate. It`s the imperfection in tape that makes the sound so delicious.

Whilst having a jam outside in the hot sun one year the copycat tape began to melt, decay and whither and this lead to some pretty crazy sounds coming through the p.a. and across the Surrey Hills. If you want to hear some Space Echo then maybe have a look at Adam Ants Table Talk from his unbelievably mind blowing 1979 release Dirk Wears White Sox. If you haven`t heard it buy it. It`s incredible IMHO.

   

Music Sex Pistols 004826  300x225 English Space Rock

Back in the late seventies, prior to the arrival of PUNK ROCK, with its garland of spit, safety pins, anarchy, rebellion and anti-authoritarian posturing, Steve Hillage took the psychedelia of the late 60`s and infused it with the kind of prodcution techniques it really deserved.

Towards the end of the 70′s Hillage’s progressive guitar-rock and psychedelic fusion leanings helped build a reputation that became synonymous with spacey, ambient soundscapes and “excursions”.

1978′s Green, co-produced by Pink Floyd’s Nick Mason is an exemplary and  landmark recording in this respect that, with both power and sensitivity focuses upon a pantheistic ecological message

HIllages “hippie” music was eclipsed by the D.I.Y. madness of anarchy, punk rock and “dissent” at the end of the decade.

The Hillage sound remained immortalised in the consciousness of a whole new generation by the UK “Festival” band The Ozric Tentacles. Ten years after Hillage released “Green” the Ozrics pioneered a new wave of trippy, techno space rock into the 90`s acid scene updated with hard pounding beats, shifting time signatures, the use of eastern and exotic modes and instruments.

After the collapse of Thatcherite ethics in the 80`s the British music underground, fuelled by political unrest and  drug fuelled madness exploded across the media and across the country in revolutionary fervour.

Pedals never replace playing ability, groove, talent, technique, vision and expression but can really help having the brain of Hendrix sitting in a little box on the floor. At the end of the day its all in your hands and head.

If this has whetted your appetite for guitar signal destruction then head over here to try out some virtual BOSS pedals!!