Tag Archives: discipline

In this article we look at how you can develop good guitar practice habits and we look at the common problems that many people have when learning how to change between chords smoothly. Let’s get started!

There are two main factors when it comes to discipline in practice. They are practicing regularly, and practicing well. Both of these are important points.

Practicing regularly is the most obvious and easy thing to do. Basically, you should play the guitar every day. These don’t need to be mammoth, three hour long sessions, 30 minutes will generally be fine if you are focused during that time. Doing regular, small amounts of practice throughout the week is far better than doing one or two long sessions.

Life gets busy and it can be hard to make the time to practice but to be honest, 30 minutes a day is achievable for most people. There is no set time that is best for practice but many people prefer to do it in the evening simply because they find that playing the guitar is a relaxing way to wind down after a stressful day.

Practicing well is a much harder thing to do and there are many reasons for why this is the case.
Bad practice affects even the most experienced player but it can be overcome with some help. Here are some of the problems that you may have when practicing and some useable solutions:

1) Problem: Getting stuck in a rut. This is a very common problem that affects nearly all guitarists at some point in time. You end up playing the same thing over and over every time you play and you can’t seem to move on to anything new.

Solution: Aspire to play everything perfectly. However, if you are stuck on this one thing and you feel like practice is getting a little stale, you should really move on to something else that inspires you. It is so important to be inspired in your practice and you can always come back to something later when you are in the right mood.

2) Problem: Moving on to new skills too quickly. Also a very common problem, moving on too quickly will ultimately turn you into a “jack of all trades and a master of none”.

Solution: This problem is the opposite of the last problem we looked at. You can now see that there is a balance between too much and not enough emphasis on perfecting a song. You should master each thing before you go on to the next, but if you are finding a particular skill impossible to master and you are dying of boredom trying, maybe that skill is a little out of your reach. In this case, it is best to go back and learn something less difficult.

3) Problem: Becoming narrow minded in relation to the different areas of learning within musicianship. Some people get into the situation where they are practicing only one style and neglecting everything else.

Solution: Try splitting your playing into parts. For example, spend 5 minutes practicing new scales or chords, 10 minutes working on writing new music and maybe 15 minutes learning a new song or part of a song. This way, your practice never gets boring and you can achieve a lot more.

4) Problem: Playing things too fast when learning them. This can cause you to become disillusioned with your playing when you are trying to learn a new song.

Solution: A fairly obvious solution here – Slow down. Try playing a song or new skill at a slow speed before trying it at a fast pace.

Practicing properly and regularly is the best way to become good at anything including playing the guitar. This requires discipline; not only discipline to practice regularly, but also discipline to stay focused and on track when you are practicing. If you stay disciplined with your playing you will develop in to an excellent player.

Just in case you`re already finding the 6 strings of your guitar a little limiting – [or maybe that`s just your head? ] – I`d like to look forwards and backwards with regards to where you might like to draw your inspiration from and where you may take it to…

Around twenty years ago I was fortunate to see a gig in an Anglo Saxon church in Sussex, England and this featured lutenist Robert Spencer, and a singer. What was more interesting to me at the time was that they were playing what appeared to be a particularly melancholic form of 17th Century English music that was imbued with an almost blues-like medieval feeling, plangent and almost harrowing – it was an experience imbued with an omnipresent musical vastness and other-worldly quality.

It was the music of none other than John Dowland.

Flow, my tears, fall from your springs,
Exiled for ever, let me mourn
Where night’s black bird her sad infamy sings,
There let me live forlorn.


The lute’s strings are arranged in courses of two strings each where the highest-pitched course usually consists of only a single string. An 8-course Renaissance lute will usually have 15 strings, and a 13-course Baroque lute will have 24.
Even within the confines of the non-classical almost freestyle idiom of 20th Century+ blues-rock, the influence of the classical – with levels of complexity and technical mastery, ensemble playing, understanding of tonal and harmonic principles etcetera, has been seeping, albeit loosely into the fabric of our listening from the production values through to
If you listen carefully to the lesser known songs on albums by mainstream late 60`s British band Cream, for example, you will hear the classical training of rock-jazz maestro Jack Bruce evident. If we jump forward again about a decade we find this infusion of instruments, themes and even cultures on King Crimson`s astounding “Discipline” album…this record features the combined hyper talents and skills of Bill Bruford, Adrian Belew, Robert Fripp and Tony Levin who plays a (usually 10 string) Chapman Stick.

The Chapman Stick is really what this whole post is about and …I`ll be focussing upon it in a related post where all will become clear. Here`s Fripp, Belew and the King Crimson playing title track “Discipline”.

Cheers,

Jake Edwards