Tag Archives: electro harmonix

Guitarists have been experimenting with sound possibilities for as long as they have been around. Many recognize the voice as the most expressive of instruments and many guitar FX pedals have tried to emulate that expressiveness through various talk-box like effects.

Electro Harmonix (EHX) have produced a very versatile pedal in the Stereo Talking Machine. It not only has great presets right out of the box, it’s also highly programmable giving you even greater control over the way the pedal alters your notes. With 9 selectable voice types, you too could be  AH-OOing and OW-EEing in no time at all.

Like the sounds created by a mouth harp, where the metal reed is plucked and the vibrations altered by changing the shape of the players mouth, a Talk-box takes the sounds/notes you put in to it and alters them according to the volume you’ve played them and the shape of the specific filter you have chosen.

Because the sweeping effect is driven by how hard or soft you play the strings there is a massive scope of what sonic sounds can be achieved using the EHX Stereo Talking Machine. And because each sound choice responds so differently, it’s worth spending time experimenting with each to get a good grasp on what is possible.

The unit is a rectangle box affair, with the 6 control knobs across the top: Blend, Voice, Attack, Decay, Sensivitiy, and Preset. The preset knobs gives access to auxiliary functions for each knob including Volume, Fuzz tone, Fuzz Gain, LFO Rate and LFO Shape. A Low frequency Oscillator or LFO is a filter that responds over time rather than to playing dynamics and creates a more regular filter sweep.

You won’t find any lose of your guitar tone, but instead applies the different tonal colors of the ‘voices’ available from the unit. From the dark and smooth/soft tone of the EE-ER voicing to the midrange-heavy and rather resonant sound of the I-A voicing.

For each voicing, you can reverse the voicing for example EE-ER to ER-EE or I-A to A-I which gives you further options with the flick of the Preset/Sweep knob. You can also control this function via the expression pedal option.

The Stereo Talking Machine is an extremely versatile pedal with a wide variety of voicings and multiple control options of those voicings. Add to that access to a distortion circuit and sensitivity control and the tonal possibilities really grow. If you’re not familiar with talk-box effects sitting down and having a chat with the Stereo Talking Machine may result in a new found friendship.

 

ab4e2097d32a3cfb2d407817c82c42dd Electro Harmonix Stereo Talking Machine

Posted by Dan Orr.

POST UPDATED – see comments for more guitar tone information !!

Jamie from the US has asked us how to get a fat tone from his Les Paul. Well, tone is a particularly personal matter but also comes in as many flavours as the imagination. There is no single method, set up or solution. Alot of TONE variation is achievable simply through your guitar to start with. If you simply use your neck pick up you will find the tone becomes more warm, more naturally rounded, rich, arboreal and smooth. Compliment this through changing your tone selector pot and you`ll be on the way. A tube or valve amp such as a Vox AC 30, or a Sunn amp will also help. Personally I use an Award Session amplifier.

It`s best to experiment with as much gear as you can. If you can`t get hold of a valve amp try a valve based pedal – maybe an Electro Harmonix English MuFF`n or Big Muff PI. These things`ll give you a fat range of tones from Clapton through to Leslie West and more. You could of course hitch a ride along the digital highway and look at stuff like the Line 6.