Tag Archives: gear

In 2008, Taylor Guitars celebrated their 35th Anniversary in true Taylor style by releasing a 35th Anniversary collection of guitars. Among that collection was a Baritone guitar that was met with such enthusiasm that it quickly became a standard production model.

The Baritone differs from a standard guitar in being tuned to B (BEADF#B) a 4th down from standard tuning creating a unique sound that opens up possibilities for new chord voicings. You can still use all the same chord shapes you use in standard tuning, the only difference being they will sound a 4th lower. And given the 27 inch scale length it’s just as playable as any other standard 6 string guitar.

To put this into context, if you were to play an open E chord shape on a Baritone guitar, it would sound a B chord. Or, if you were to play with a standard guitar, you would need to place a capo at the 5th fret to sound chords at the same pitch as a standard guitar playing in open position.

The deep tones come from the Indian Rosewood back and sides combined with a Sitka Spruce top and are amplified using Taylor’s proprietary onboard expression system that works to simply amplify the natural sound of the guitar.

The freboard is made from hard wearing Ebony and the shape of the guitar is that of Taylor’s GS (Grand Symphony); a guitar design known for its deep bass tones, gutsy midrange and thicker upper range.

It comes in two models; the 6 string and the 8 string. The 8 string having an extra octave string on the 3rd and 4th strings creating the chime or twang of a 12 string and allows the high end to remain pure while kicking out a strong low end.

With this added tonality, playing with a standard tuned guitar will open up sonic options. You will need to keep in mind the difference of a 4th and transpose on the fly, but a lot of fun will be had.

To hear just how rich and full the Taylor Baritone sounds, check out this video featuring Co-Founder of Taylor guitars – Bob Taylor and hear a little more about how the Baritone came about.

ab4e2097d32a3cfb2d407817c82c42dd Taylor   Baritone Acoustic Guitar

Posted by Dan Orr

In early 2011, another new PRS model burst onto the scene featuring a new finish that PRS had been working on combining ultra thin and super hard attributes to get the most out of the carved maple top.

Sonic options abound with the PRS Studio’s triple pickup setup and switching options. It features their brand new Narrowfield pickups which are basically a combination of a P-90, mini-humbucker, full-sized humbucker and a single coil. The result is both smooth, warm tones and crisp clear tones.

At home producing sweet acoustic styled clean sounds to more overdriven, crunch sounds.

If you don’t want to leave home to get a feel for the sounds this guitar is capable of, then check this video out for a fine selection of sounds.

Another beautiful example of PRS sweetness in the form of the 2011, maple topped, bird inlays, 5 way selector with pop out. It features their new V12 finish (very thin and hard), which is a lot of options with the 5 way select as well as the coil tap push/pull tone on the bridge humbucker Stop tail piece or tremolo tail piece. Pattern thin neck or pattern regular neck

ab4e2097d32a3cfb2d407817c82c42dd PRS Studio Electric

Posted by Dan Orr

I’ve often wondered what goes into making an amp or FX pedal. To me it’s all just wires and knobs and it’s often easy to gloss over the science behind the sounds.

One man who has always been interested in the science is James brown – no not the smooth moving soul funk meister, but the Chief Engineer for Kustom Amps and the owner of Amptweaker – a personal company that allows Brown to pursue his passion for handmade pedals and custom amps.

Where his site differs from the usual offerings of Amp and FX pedal makers, is that he takes his inspiration from customers. Only once an idea gathers enough support does he begin making the unit.

He’s come up with a range of pedals so far and his latest offering, released during the Summer NAMM, is the TightRock which came as a response to customer requests for a pedal in between two of his previously released pedals the TightMetal and the TightDrive. It was met with a lot of positive feedback from Artists and users alike at the NAMM show and is sure to feature in many people’s pedal collections.
newsletter14 review tightrock AmpTweaker   TIGHTROCK

The unique routing options mean you can loop a separate FX unit into the TightRock which is on when you stomp on the TightRock and colours the TightRock’s distortion. Not only that but with the TightRock’s SideTrack function, you can send the guitar signal to another FX pedal which can color the amp’s clean channel, turning a single channel amp into a 3 channel amp. These are just some of the options available to the user.

Learn more about the pedal from Brown himself as he cranks out some sweet sounds and explains the possibilities that come with the TightRock.

ab4e2097d32a3cfb2d407817c82c42dd AmpTweaker   TIGHTROCK

Posted by Dan Orr

buying a guitar amp 300x133 Buying An Electric Guitar AmpThere is an ongoing argument among guitarists over the relative importance of a good guitar as opposed to a good guitar amp. It simply comes down to money. Not every one can buy the exact gear that they want so often it is a trade off. While spending a bit more time and money on getting a good amp seams like common sense, many players think the opposite. Because musical equipment isn’t cheap, it is a good idea to try out as many different amp and guitar combinations within your price range as you can.

Remember a bad amp can make a good guitar sound bad and a good amp can make a bad guitar sound good. For this reason it is important not to neglect your amp when you are guitar shopping.

There are basically four different types of guitar amplifiers: tube, analog (solid state), digital and hybrids. This article will give brief description of the different types of amps out there.

Tube Amplifiers
The first amps ever made were tube amps and many players still prefer them over analogue or digital amps. The reason for this is that tube amps have a fat warm tone that many guitarists find natural. Also tube amps are generally louder than analog or digital amps with the same wattage. (There aren’t many among us who don’t like having more power on stage.)

newsletter14 gear review buyinganamp tube Buying An Electric Guitar Amp

Most tube amps have separate channels for distortion and clean sounds. The distortion in tube amps is generally made by overdriving the preamp. There are two major draw backs with tube amps: one is that tubes are made of glass and can be broken easily if you don’t treat your amp properly, also tubes wear out and need to be replaced periodically.

Solid State (analog) amplifiers
The reason that these types of amps are called ‘solid state’ is that they use transistors in their pre and power amps instead of tubes. The main problem with solid state is that they can often sound brittle and harsh. This is particularly the case with their distortion channels. The quality of the distortion on solid state amps can vary wildly and it is something you should defiantly check when you are looking at a solid state amp. Solid state amps are very reliable, inexpensive and they don’t have any pesky tubes to replace and for these reasons they remain popular with some guitarists.
newsletter14review buyinganamp solidstatejpg Buying An Electric Guitar Amp
Digital (modeling) amplifiers
Modeling amps use digital processors so that the amp can mimic many other amp sounds. They can copy sounds from old or new style tube amps using onboard software. These types of amps are quite popular at this time and will only become more popular as they improve in quality and become cheaper. Some of these amps are better in quality than others, for those at the top of the range most guitarists will not be able to hear the difference between them and the real thing.

Hybrid amplifiers
Some guitar manufactures have come out with amps that combine a tube preamp and a solid state power amp. The most well known of these is the Marshall Valvestate Series of amps. These amps are a cheap way of getting a tube sound when you are on a budget.

Buying an amp
The best way to buy an amp is to shop around. Take your electric guitar (if you have one) into a few stores and try out a few different amps. Try amps from different price ranges to see if you can hear any difference. Perhaps take a more experienced guitarist with you. Listen to their advice and try out as many amps as you can. Try playing the amp at different volumes to see if it responds well. Check all the different channels to make sure it sounds cool both clean and distorted. Take your time buying an amp. If you choose wisely, you can get a piece of equipment that will make you sound better and should last you a long time.

That is all for now!

Ben Edwards

For so long when when choosing a tube amp you’ve had to settle on one “brand of sound”, whether it be Marshall, Mesa Boogie, Orange, Fender or anything in between or beyond. But with the release of the Line 6 DT50 (along with the DT40 head unit) there is now more options to choose from in the one amp.
newsletter13 review line6 dt50 specs Amp   Line 6 DT50
Line 6 have long been known of doing away with tubes altogether and instead employing the use of Digital Signal Processing (DSP) to open up a multitude of sonic options. However, with their latest amp release, they have teamed up with re known Amp designer Reinholt Bogner to produce something very unique.
newsletter13 gear review line6 dt50 amp Amp   Line 6 DT50
In essence the DT50 is a 2 channel boutique amp that beautifully combines the precision of analogue circuitry with high definition modelling. The amp has 4 voicings, each of which, at the flick of a switch, reconfigures the analogue components of the amp, changing the feedback topology to behave like the amp that is being modeled.

The voicings are based on four of the most recognizable classic amp sounds: Classic American Clean, British Crunch, British Chime and Modern high-gain distortion. The usual EQ settings give you further control to create great sounds with all tube warmth and clarity.

Check out this video from for an up close look at the DT50 and hear just what this amp is capable of. It’s sure to be aural heaven for tube amp buffs. Enjoy!

ab4e2097d32a3cfb2d407817c82c42dd Amp   Line 6 DT50

Posted by Dan Orr