Tag Archives: jimi hendrix

Obviously, in the world of guitar legend one man stands alone, head and shoulders above his peers; distorting time and space whilst achieving transcendental oneness with his guitar in a zen like reverie of Amerindian shamanism, Free love, sex, politics, feedback, fire and death.
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If there was ever a sacrifice made to the guitar gods, it was Hendrix himself…exploding into flame at Monterey, Hendrix burnt away in a three year vapour trail of drugs, touring, alcohol, invention, and innovation – notwithstanding the management, money and mafia troubles that followed in his wake.

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For those of you who are baffled by the countless re-iterations and compilations floating endlessly around; the remixes and terrible bastardisations such as the “Midnight Lightning”album, or “Loose Ends” (which clearly showcase an industry’s shallow greed in selling the out-takes from the cutting room floor and even using hired modern musicians to remake tracks), add to this the blatent misbranding of Hendrix’ work with Curtis Knight and many more – to help you in avoiding these shark infested pools of the Hendrix legacy here are 6 albums that I can wholeheartedly recommend.

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    1.Are you Experienced – 1st album – in one word: FIRE

Hendrix first album fuses gritty rock, psychedelia and feedback in a blistering journey to the centre of the cosmos. This is as close to ‘classic’ rock as Hendrix gets with pumping riffs, weird guitar solo`s (purple haze) and a lyricism that combines Dylanesque surrealism with the hip acid talk of the American Summer of Love. This album is filled with the triumphant feelings of revolution, victory and optimism. It`s a fervent and heady mix of grass roots psychedelia and Hendrix earthy hands on approach to guitar tone exploration.

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    2.Axis Bold As Love – 2nd album -in one word: WATER

The second album leans more heavily towards a lyrical mysticism and the lucid poeticism of songwriting with meaning and  intent as opposed to the hard rock rattle and hum immediacy of its feedback soaked predecessor. Hendrix begins to blend the jazz and funk influences of his days on the circuit with the science fiction, metaphysics and exploratory lyricism of his imagination with a more refined approach to instrumentation and more nuanced style. The final title track is possibly one of the greatest arrangements of lyrical metaphor, melodic rhythm guitar and majestic lead ever written or recorded.

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    3. Electric Ladyland – 3rd album – in one word: TRANSCENDENTAL

Take the previous two albums and throw in some voodoo space-blues, low down groove, funk, rock and roll, orchestration and then blend into a transcendental masterpiece of songwriting, guitar playing prowess, musical exploration, ufology, time travel and the foreboding sense that the world si coming to an end. The sheer emotional intent of the guitar playing alone on this double album  absolutely shines through as Hendrix delivers masterpiece after expressive masterpiece.

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4. Nine to the Universe – studio jams – rare jazz-blues improvisations – awesome and tight

Hendrix rocks into the studio to have a jam and the sonic results are absolutely off the hook. With more of a leaning towards  a modal approach to the guitar Jimi proves that literally everything is in his hands as he manipulates his stratocaster and amp to deliver a huge tonal range within the context of progressive jazz-blues fusion jam session. If you are new to Hendrix this might be a little too abstract for you but if you’re looking to expand your musical expression on the guitar without resorting to gratuitous effects and cheap tricks this is a great place to start.

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5. Band of Gypsys – live – the once in a lifetime guitar mastery of epic sonic genius that is machine gun

After disbanding the original experience Hendrix returns to New York with Buddy Miles and Billy Cox to deliver a more loosely organised series of extended songs and groovy hooks centred around the opposing themes of war and peace. Never to be underestimated, Hendrix quite simply recreates the sonic palette and experience of the Vietnam war on Machine Gun, producing some of the most mesmerising guitar tones in the history of rock in an astonishingly complete performance. Hendrix touts acres of sustain and feedback, combined with tremelo induced ufology and science fiction sounds in an engaging live performance that proves EXACTLY why he is history’s most mind blowing rock instrumentalist.  Hendrix’  intent though is not only to transport you into a world of complete sonic guitar mastery but also to inspire spiritually through the kyuss of great hooks, timing and melody (Power to Love).

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6. The Jimi Hendrix Concerts – a great compilation of live recordings

This collection of recordings showcases the original experience at their best and includes the absolutely monumentous tonal mastery and feedback genius of Are You Experienced live on eof the greatest moments in guitar history. This has to be heard to be believed. This is what the Experience sound like live on a great night and theyre absolutely burning it up. If you cant get this disc then get the LIVE AT WINTERLAND album instead.

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7. Beautiful People  – If 60`s were 90`s -

Some old friends of mine Duncan, Phil, Dave and Luke remixing Hendrix for the early 90`s chillaxation-house scene. It’s groovy and Eric Clapton’s nephew digs it too. If you like the idea of Hendrix with “modern” beats then this might be right up your street. The stand out cuts are “Get Your Mind Together” and “Sea Eventually”. Remixes with PM Dawn sounded incredible but never officially materialised. If you want your Hendrix licks and melodies served up in a dreamy, groovy back-beat sauce with a focus upon the nouvelle cuisine sampling of a chillaxed club mix then this is the h’ors d’oeuvre you’re after. Rilly Groovy.

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There is alot more to Hendrix’ reputation than his guitar sonics, IMHO, and if you`d like to explore a more historical and multifaceted approach to understanding Hendrix as a songwriter, creative and political force then please click here.
Cheers,

Jake Edwards

Fresh!
Hello Jamorama people – today we`re going to look at some rather exceptional new developments in the world of string theory. If you`re a proponent of holographic consciousness, quantum gravity or the cosmological horizon you are on the wrong page unless of course your name is Jimi Hendrix and you are reading from the nearest black hole.

This is a guitar blog and today we`re going to have a look at the new ‘guitar’ from legendary electronics pioneer brand MOOG (pronounced MOGUE – like Vogue). It also allows me to touch very briefly upon the theory behind exactly how your pickups work, because MOOG have almost reinvented the instrument….

moog guitar 460 80 Moog guitars, magnetics and other mad craziness

Not a guitar synthesizer nor a MIDI guitar or an effects processor; players are “intimately connected to The Moog Guitar because it works its magic on the strings themselves”. The Moog guitar has several options that relate to the concept of  “sustain” although the guitar does this intelligently and in real-time by listening to and reacting in synch’  with each strings vibrations across time.  This Harmonic Control System allows you to play with infinite sustain everywhere, sustained single and polyphonic lines whilst muting those strings you aren’t playing, or, to blend these two modes in either pickup whilst changing the frequency of the filter. The harmonic blend is a way of favoring some harmonics over others in a note. It changes the color, the tone or timbre of the instrument. The Moog Guitar strings have a higher metallic content than most strings and is more responsive to the elector-magnetism than most other strings. If you listen to the video below you`ll gain some idea of what`s happening here:

How this actually works is through using magnetic pick ups to actually change the MOTION of the strings..allowing you to mix up muted banjo sounds with sustained notes as you can hear. WHY SO?

Well, a magnetic pickup consists of a permanent magnet such as a AlNiCo, wrapped with a coil of a few thousand turns of fine enameled copper wire. The vibration of the string modulates the magnetic flux linking the coil, thereby inducing an alternating current through the coil of wire. This signal is then carried to amplification or recording equipment via a cable.

Here though is a guy who just doesn’t need anything but an amp, a guitar, a wah and a fuzzface. Yes it`s Jimi Hendrix inventing time travel in 1970. No-one else has been there yet. Hendrix has already invented it all…SINGULARITY and groove. Click here for my recommended Hendrix starter kit.

Cheers,

Jake Edwards

You only have to listen to Axis Bold as Love and the Electric Ladyland album version of All Along the Watchtower to gain a vague idea of Hendrix fascination with Dylan`s oeuvre. Click here for more.

Kia Ora Jake here. I just wanted to write a quick post in response to a few questions about guitar effects pedals. A boutique guitar effects pedal is most usually a hand built or a limited edition pedal built by electronic enthusiasts, or a modded (modified) pedal. Many people mod their Boss units for example. There`s a whole new world of quantum manipulation opportunities out there once you start buying some of the crazy and often deranged units. Obviously there`s time and a place for everything but if you want to continue along the consciousness bending, sonic roads of Jeff Beck, Jimi Hendrix, Frank Zappa, Tom Morello, Jonny Greenwood, Robert Fripp, Alan Holdsworth, Steve Hillage, Reeves Gabrels here are a few links to help you get really weird….soak up some of these, wring yourself out, and drink!

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MJM GUITAR EFFECTS
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PEDAL GEEK

There were a few being built inside small transparent soap boxes a few years back…great if you need to wash all those fingerprints from across the surface of your brain! Tomorrow I`ll be having a brief look at the analogue versus digital argument, just so we all know exactly what we`ve been missing…

As a follow on from my post here on being unusual, having something unique and not running with the crowd I thought it might be good to run a short list of unusual guitar related ideas. Being unusual really, really helps stylistically. Here’s a few interesting players off the top of my head!

Keith Richards – 5 strings only and G tuning – D, B, G, D, G (high to low)
Django – predominantly two  finger playing style as other fingers were badly burnt
Robert Johnson – almost supernatural physical technique beyond the horizon
Mississippi John Hurt – earthy brown-dirt piedmont picking souds like  molasses, treacle and golden syrup
Charlie Christian – pioneer of amplification
Jesse Lone Cat Fuller – one man band blues-folk player who invented the Fotdella bass machine
Jeff Healey – Being blind the guitar is played on his lap
T bone Walker – played behind his head, with teeth and before Jimi
Jimi Hendrix – uses teeth, lighter fluid, art-destruction, plays behind head,  attacks amps and heavy feedback
Jeff Beck – one of the early feedback pioneers, also uses unorthodox approach to neck-scales-tremolo etc
Frank Zappa – watermelons in easter hay and shut up and play your guitar – theme from the 3rd movement of sinister footwear
Stevie Ray Vaughan – uses half step down tuning
Eric Mongrain – a highly melodic tapping style (see also Kaki King for a percussive style)
Jimmy Page – used a violin bow and a theremin on occasion
Alvin Lee – completely unique English sound and style  – live, using a drumstick for a right hand, incredible
Johnny greenwoodAdrian Belew, Reeves Gabrels – completely insane sounds
Robert Fripp – loops and frippertronics
Frank Gambale, Alan Holdswoth, John Maclaughlin – jazz fusion of various degrees
Paul Ubana Jones – mind blowing and unique style
Fred Frith – avante garde un-guitar playing
Richie Havens – open D tuning tour de force
The Edge -underrated master of skeletal arpeggios soaked with melodic feeling – redefined rock/pop guitar sounds
Adrian Legg – idiosyncratic individual picking style complemented with technique and taste
Son House – unimaginably authentic individualism

So, do what feels best even if it`s unusual and strange!

Do what suits you.  Do what you like. Use your limitations to your advantage & if you only know a few scales – there`s no limit to what you can do – explore them fully in all senses.
You dont have to be blind, crippled or named after a fruit, but it might help…a little.

Here are some pictures of me practising underwater, great for making those  leagues below sea-sounds.
Later this week I`ll be travelling to the earth`s core to conduct electromagnetic, heat exchange, tone experiments.

Personally, Ive got my Strat` set up with the bridge in a unique way that should leave the guitar out of tune. It came about through an accident where I ripped the unit out of the body years ago and the tremsetter fell apart. It`s now become part of my overall style…it`s great.

Cheers, Jake.