Tag Archives: learning

Let´s start, for those of you who do not know what Alternate Picking is…
It is a guitar playing technique that employs strictly alternating downward and upward picking strokes in a continuous run, it is just as simple as that. (Thanks Wikipedia!)

But now, playing this technique is a completely different thing. If you are having problems with it, this is what you can do:

The main problem with alternate picking comes when you are picking a note in the opposite direction of the next string that you’re going to play. For instance, if your last note was a down stroke on the G string, and your next note is an upstroke on the D string, then your pick has to travel a more complicated path than if you are picking up on G and down on D. What to do?

Some people just refuse to let their picking hand do the more difficult move, by trying to put a hammer on or a pull off to time the direction of the pick to a more favorable direction. Others might just be using the pick to start the string in motion, but are doing all hammer or pull offs other than the first note on a string.

But let’s concentrate on what to do if you are using the versatile alternate picking method. Since we don’t want to limit the note choices, or string choices, in any way, we have to just get good at dealing with the problem.

Practice going back and forth between two strings picking in the opposite direction. For example, play a C on the 3rd string (5th fret) with a downstroke followed by an E on the 4th string (2nd fret)with an upstroke. Repeat the C and E one more time.

Next, bring the C down to a B (1 fret) on the 3rd string with a downstroke, followed by the same E on the 4th with an upstroke. Repeat the B and E. Just to make a slightly musical pattern, do the same thing, but change the B down to an A, doing the same pattern. To make the pattern symmetrical, return the A back up to a B and play B,E,B,E, just like the second pattern.

It will take a lot less time to play this than to read about it, so try to muddle through this explanation to get to the actual notes, it’s not hard to play this as long as you don’t try to play it too fast.

As with all exercises, do it slowly and as accurately as possible at first. Doing this exercise addresses one of the most important points about practicing and improvements.

If you have some free time, check out this video which is an extract from Paul Gilbert´s instructional DVD “Get Out Of My Yard” – It is insane what you can do when getting this technique right! Check it out:

Good luck with your practice. See you next week!

Posted by Moses Robbins.

Because there are many types of guitars; being Classical, Acoustic and Electric the three main ones, I wanted to have a look at what guitar is the best one for you to learn on.

Chances are that if you have asked someone if you can use their guitar for a while, it would probably be an old classical acoustic guitar or maybe a steel string acoustic. These guitars are excellent to learn on because electric guitars require things like cables, amps, speakers and power. With acoustic guitars you only need a pick.

which guitar to learn on 300x133 Which Guitar To Learn On?The other great thing about acoustic guitars is that you can’t turn them up loud. When you are learning it is probably better to play on a guitar that isn’t going to be loud – only loud enough so your ears can hear your errors and your good performances.

If you don’t know which type of guitar you want to play on, ask yourself, ‘what kind of music do I want to play?’

Pick a song that you like for its guitar sound. Listen to the guitar sounds and only the guitar sounds. Are they clean, soft sounds? Or are they harsh, heavy or distorted? Generally, acoustic guitars are softer and cleaner. Distorted, heavy sounds come from electric guitars that are plugged into amplifiers and effects units. Can you hear individual notes being picked or are the strings being strummed hard? The harder you play, the thicker your strings need to be. You need to know what style you want to play.

OK you have found a style of music that you like. Try and find the video for that song and watch it. There will probably be a section in there where the band is playing. Look at the guitarist. Is he/she playing on an electric guitar or an acoustic guitar? What brand is it? What style? If you know the exact guitar from the video, you can ask to play it at your local guitar shop to see if it suits you.

People play guitar for many different reasons. You need to understand what it is that you want to get out of the guitar. To discover your tastes in guitar music, listening to different styles and genres. Ask musicians at music shops about what kind of guitars different bands use, or ask them what kind of amps/effects those artists use to get that sound. The answers don’t have to be exact because they will get you thinking about what you need to buy to achieve the sound you are after.

So, a lot of think to do and a lot of music to hear… That two things will help you finding out the best guitar for you! Hope this helps!

Posted by Moses Robins

After the nuclear war there will only be cockroaches and Keith Richards!! So let`s get practicing…with  some general tips that you oughta bear in mind when you want to get all Zen on your fretboard.

1. Cultivate a desire to try and achieve excellence. But do so on your own terms!
When your lazy friends are down at the bar setting the world to rights you could stay at home beginning a journey to set either your own world on fire, or, even set the real world on fire. Progression naturally requires a level of dedication but don’t kill yourself – find the pace that suits you . It is NOT a race, just a journey. Excellence does not necessarily equate with conventional ideas of virtuosity – you may want to cultivate your skills as songwriter like Noel Gallagher or George Harrison for example. If you aren’t sure in which direction you`d like to go just watch the river flow – it`s no big deal.

2. Set yourself goals  – both  sensible  & unattainable.

Set yourself some goals and schedule your practice and try to STICK to IT.
Perhaps consider two goals:

A.
An aspirational one such as becoming as good as Jeff Beck (insert your favourite guitar maestro here) but also,

B.
A realistic, realtime short term goal:
for example “In six months I will be able to play Johnny B. Goode by Chuck Berry”.
Remember though it’s the journey not the destination that counts, a guitar is for life not just for Christmas if you want to go anywhere with it.

Don`t use your aspirational goal to beat yourself about though. Expecting to be able to play like (insert your favourite guitar maestro here) is akin to expecting to replicate the Cistine Chapel Ceiling on the interior of a ping pong ball – it’s a long hard difficult road walked only by those with a unique, god-given gift…you CAN begin to unlock that gift in even the smallest ways.

3. Find an environment that really works for you.

It may be outside beneath your favourite weeping willow or it may be in  a quiet corner of your barn – make it as comfortable and as appealing as possible with few, or no distractions or interruptions.
If you can and you are serious about progression try to practice alone in a silent area. Also get the right chair, I`ll sometimes find myself thirty minutes into a jam session only to realise  I`m curled up like a pretzel with a `dead` leg that feels like someone else’s! …no good man!

4. Make it easy…

…as the playing will initially be hard enough make it easy by using the tools that help. Buy the best guitar you can, buy a decent tuner and invest in learning materials that suit where you want to take your playing. Read this blog for more advice on the learning tools available. There is a veritable cornucopia of new digital practice tools such as the Ovation iDea guitar,  the Fretlight guitars, Loopstation pedal or Fender G-Dec amplifier.

5. Develop Routines and excercises

Start off with an easy rewarding warm up work before moving onto your structured learning path (or course) – this may be a couple of songs you really enjoy, so write them down,  and maybe singalong if it helps you relax. When you fist begin to play you may find a great deal of tension in your wrists, fingers and arms; try to learn to relax – it may take some time to lose that whole “stiff as a board”, heavy feeling but it will ultimately pass.

Remember to breathe properly and don’t fight the guitar – relax INTO it; if that makes sense.

If you are finding the wealth of learning materials at your disposal somewhat confusing, if you’re finding it hard to join all the dots don’t fret – take a step back and relax. Everything is interrelated and will ultimately become clear. There is no one method, way or route. Frustration will be gnawing away at your toes like a hungry dog – use it as fuel to try and figure things out.

If you are struggling to figure out musical theory then have a look at playing a piano because the piano keyboard is in a sense one single long guitar string and may help you clarify some of the more confusing parts of musical theory.

Piano+Keyboard+with+Letters ZEN guitar Practice.Another idea is to write, or using stickers the actual corresponding notes along the top of your guitar neck; and maybe on the fretboard itself using marker pen. Only do this if you are happy with bastardising your guitar…

6. Join a band – the fastest way to learn is from other more competent players. Use your ears and your eyes, ask questions, never be intimidated. EVERYONE was once a beginner and it’s a healthy tenet to try to always consider yourself a beginner, no matter how good you may be because there is no end to the guitar – it’s an infinite lifestyle decision.

7. It`s never too late to start and whatever happens don’t give up. If David Geffen isn’t ringing you up don`t worry. The journey is usually far more interesting than the destination anyway.

8. Make mistakes and every now and then try stuff well outside your usual playing boundaries. Experiment as much as possible and try unusual positions. Try sliding chords around or even moving them across the strings. Be unusual, be unique, be yourself, break the rules, do what you want.

9. If your fingers, hands and wrists are hurting then stop awhile and rest.]

10. Enjoy using effects and guitar toys but don’t fall into the trap of letting them do all the playing for you – one day you`ll  want to be at the stage where you compliment the effects and not vice versa.

11. Reward yourself afterwards with something you enjoy like “icecream”.

12. Try and listen to the right records for a start but don’t limit yourself to the world of guitar. Choose your poison for example  saxophonists Sonny Rollins, Roland Kirk and Miles Davis play some fantastic lead lines.

13. Adopt a meditational approach to your playing.

The nature of sound is infinitely associated with consciousness and there are interesting listening exercises you can perform.

Acoustically, a note perceived to have a single distinct pitch in fact contains a variety of additional overtones.

If you listen very carefully to just one note and work hard to train your ear you will begin to hear more than just the fundamental – try spending some time just playing single notes – what you hear most clearly is the fundamental (sometimes called the first harmonic) but it is accompanied by several frequencies known as partials, by several harmonics, overtones and undertones – try and hear them. You’ll need to concentrate though.  Some people like to think synaesthetically whilst playing and try to see different notes or chords  as different colours.

If you would actually like to experiment with sound colour have a look at

1. Metasynth – mindblowingingly powerful sound painting tool

2. Audio paint – FREE

Have a look at the book “Zen Guitar” by Philip Toshio Sudo – it’s about motivation and fulfillment, not technique.

14. Most importantly – make sure it’s fun.

I hope that this helps you to create an environment where you can engage with your guitar in a more philosophical sense and in a way that will inform and aid your learning – after all when you stretch that string you’re stretching your life!

Cheers,

Jake Edwards

Here`s where the GEAR – LEARNING crossover gets seriously real!
FRETLIGHT guitars are a sophisticated guitar learning tool that really do take the headache out of learning chords, scales and their interrelationships.  Fretlight guitars have light emitting diodes built into the guitar neck to illuminate your finger positions so you can instantly discover and play 100′s of chords, scales and arpeggios.

The guitar plugs directly into your PC too so there`s no need for clunky interfaces that need configuring, and, the supplied axemaster software is a fully-featured guitar fretboard diagram creation tool, as well as a platform for integrated HTML-based guitar lessons. The best part about AxMaster is it is totally customizable. The chords and scales can be lit up in any key, any fret range, and in any string combination so the player can experiment to their hearts delight.

Precise open tunings can be tweaked and saved and lit up on the Fretlight guitar. No other learning system can match the power of AxMaster and a Fretlight guitar. The advanced player can also make custom chord and scale diagrams and insert them into a list, called a Macro. Here they can instantly recall those or step through them with the optional dual footswitch.  A powerful Macro editor allows creation of custom progressions fully-loaded with a large list of chords, scales, arpeggios, triads and more. The guitars also support alternate tunings, and one click modulation displays note locations on the screen as well as on the Fretlight Guitar neck in real-time.

Well, That`s all folks,
Cheers…

Jake Edwards

SO you’ve mastered a few chord progressions and you’re looking to play a few lead lines from the JAMORAMA lead course too. Now, unless you’re about 300 years old you probably don’t own a cassette recorder or even really know what a cassette tape looks like – “I mean music comes out of thin air these days doesn’t it?”   – just like it used to when the internet was in black and white right?

If you’re laying those chords down on cassette right now, then skip this post, ’cause you’re probably still busy playing PAC MAN, buying hair gel and listening to Huey Lewis and the News.

Just HOW are you going to master the idiosyncracies  of the modes in relation to all those far out jazz chords you’ve been inventing of late? Well, it`s easy in a digital world and Ovation have had the bright iDEA of building a digital MP3 recorder straight into their new iDEA guitar – FRESH!

quickstart 300x172 Ovation iDEA
A digital recorder is part of the on-board Ovation preamp as well as an inbuilt microphone. A simple and direct recording control makes it easy to record entire songs, riffs, fragments, vocals and commentary. The iDea is also a learning tool, with audio lessons pre-installed in the memory.

The Idea also connects via USB to your computer so you can edit, rearrange, move, rename right on your desktop. Mixes from recording software, rhythm tracks, even songs can be played back through the headphones or the guitar itself.

What makes this guitar so invaluable as a learning tool is probably the fact that the recording ability allows the player to self accompany and therefore to focus upon building an innate understanding of how a guitar actually works in terms  of scales, chords and their interrelationships.

If you were learning the JAMORAMA LEAD course this machine would really help you in understanding how the CAGED system works and prove ultimately beneficial in unlocking some of the musical mysteries of the guitar’s neck. Simply being able to record chord sequences and then play back over the top of them anywhere and at anytime means your practice could reach a whole new level of focus and put you on the fast track to becoming a more competent guitarist.

Well, That`s all folks,
Cheers…

Jake Edwards