Tag Archives: tuning

A capo is a device used for shortening the strings, and hence raising the pitch, of a stringed instrument such as a guitar, mandolin or banjo. What a capo does, in effect, is to move the position of the nut of the guitar to shorten the length of the guitar neck and strings and therefore raise their pitch.

Capos are used to change the key and pitch of the open strings of a guitar without having to adjust the strings with the tuning keys. It should be noted that the capo is placed as close to the fret as possible; some practitioners recommend placing the modern clamp-style capos directly on the fret, rather than behind it.

Clamping a capo on the fingerboard of your guitar will let you instantly change the key of a song without having to learn new chords. This will come in handy if you accompany a singer whose vocal range is better suited for another key. For example, a capo installed at the second fret on a guitar in standard E A D G B E  tuning would then have an open tuning of Gb, B, E, A, Db and Gb.

Because of the different techniques and chord voicings available in different keys, the same piece may sound very different played in D or played in C with a capo at the second fret (at the same actual pitch). Additionally, the timbre of the strings changes as the scale length is shortened, suggesting other short-scaled stringed instruments such as the mandolin. Therefore the use of a capo is as much a matter of artistic expression as of technical expediency.

Using a capo increases your musical language exponentially in a matter of seconds and brings forth an entirely new world of possibilities:

2 Capo 1

FOUR TYPES

1. quick release capo

capo1 Capo 1

Use a quick-release capo to change keys quickly between songs to accompany different singers while retaining the same voicing.

These capos do not have the rigidity or the accuracy of a clamping style capo but if you want to make fast, fluid changes throughout your set then one of these babies might be just what you need.

g7 Capo 1

The G7th Performance Capo is the first capo to use a wrap spring clutch in its design, which allows the capo to be effortlessly attached to the neck at any desired pressure simply by squeezing it closed by hand, as if playing a bar chord. The capo is then simply released by pressing a switch on the side of the capo.

2. clamping capo

cclamp Capo 1

This type fits from the side of the neck and is more time consuming to install but there is no margin for error with the rigidity, pressure and precision of a screw down clamp style capo and these can also be set up for capo’d tunings that leave some strings open.

3. pencil and band.…just in case you out in the woods  without your capo but strictly one for the hobo’s, man; its the pencil -elastic band combo!

Ride them Rails!

Capo on white3 Capo 1

4. PARTIAL MODIFIED CAPO

capo3 300x189 Capo 1The partial capo (also known as a cut capo or short cut capo) is a regular six string acoustic guitar capo that has been “cut” or altered to allow it to clamp down only on certain strings while leaving other strings open or unclamped.

Typically, partial or cut capos clamp down on the A, D, and G strings on a regular-tuned six-string, which results in a DADGAD-style alternate tuning.

Many guitarist place a standard, spring-loaded capo backwards on the guitar, so the shorter side of the capo (normally providing pressure on the back of the neck) clamps the inner strings.

The picture above shows a capo from Third Hand.

RBC55 sm  Capo 1

Or if you want to capo specific strings only try using the REAGAN BANJO 5TH STRING CAPO a small brass block with a thumb screw attaches directly to the string, NOT the neck. Clamp it to a string above the nut when not in use. Capo comes with 2 thumbscrews, one brass, one nylon for your choice of weight and tone.

Dominic Frasca is known for his customized ten-string prepared guitar with single string “mini-capos” as well as sticks and levers attached to the guitar to create percussive sounds and effects.


BREAKING NEWS!!!!!

Steinberger build guitar with built-in capo! Check it out!

So thats about it for today – you have no excuses now not to eclipse the great Adriann Legg.

Cheers,

Jake Edwards

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INTONATION:

Okay so here`s the deal regarding intonation. Intonation problems are created when the length of the guitar string is not precisely matched to the length of your guitar. Why does this matter? Well, when you play a guitar you are dividing the string into different lengths in the process of fretting notes, this causes the strings frequency to increase or decrease in an inverse relationship with the strings length.

Simply put if you play your E string at the twelfth fret – an octave above open string tuning – you are dividing the string in half. Now, if the division of the string isn`t exact then the pitch of the note will be out. That is why your electric guitar has moveable saddles in the bridge – so you can check and resolve intonation problems because nothing sounds more out of whack than skipping to the twelfth fret for a burn up and finding that all your notes are just a little bit flat or sharp.

SO, if you want to Test your Intonation plug in your tuner and for each string perform the following actions:

1. play the open string and make sure it is exactly in tune.

2. play the same string at the twelfth threat and adjust your bridge saddles until the string  is exactly in tune.

3. play a harmonic at the twelfth fret and  double check the tuning.

4. Repeat across all strings.

5. Start playing.

Cheers,

Jake Edwards

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st 11 03 Tuning guitar   buying guitar

Look into my eyes, thats it, you are feeling sleepy. When you awake you will have perfect pitch!

One thing you need to learn is to tune your guitar. Years of using electronic tuners with lights live on stage means I`ve lost a bit of the natural ear skill – ` cause years ago we used to just get on with it and tune up. Anyway, if you`re abeginner use your ears , not the lights it`ll do you good. Alcohol tends to impair your judgement as well if you`re a novice too.

Lately Ive been slacking and throwing down songs as fast as I can without tuning up – just to preserve ideas – but, in any jam or live situation playing out of tune is a criminal offence.

handcuffs Tuning guitar   buying guitar

Now, if you`re having a problem with your tuning and intonation then maybe, just maybe, you`ve got a twisted guitar neck or you need the Buzz Feiten tuning system. So what I`m really trying to say is, when you go out to buy a guitar, get yourself a gem by looking to avoid the tuning – intonation problem that the B.F.S. addresses… because my Stratocaster sure doesn`t suffer from this problem, no way. Jose!

conn strobotuner 214x300 Tuning guitar   buying guitar

Anyway we’re so busy I just can`t finish this post with the level of detail it demands. I`ll be back with the real juice on Monday. Unfortunately between now and then you`ll have to do the detective work. If you don`t know what intonation is ……WELL, you had better find out fast! More on Buzz, tuning, twisted necks etcetera later.
Word.

Jake Edwards

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Here`s English guitarist Robin Trower, formerly of Procul Harem, playing the title track from his 1974 classic rock album Bridge of Sighs. Robin plays his own signature stratocaster which is an EXACT version of the one you can buy through Fender, although, when playing live Robin tunes his guitar a full step down, to a DGCFAD tuning. Robin`s tone is achieved through playing into several Marshall heads at high, high volume. Hendrix comparisons have plagued Trowers work but anyone who knows their onions will notice that Hendrix` rhythmic legacy from his days playing with Curtis Knight and Little Richard for example is not present in the fluid legato and unhurried melodic content of Robin Trower`s playing.
You need to have a look at Freddie, B.B. and Albert King for that…
1990`s “In the Line of Fire” is a also a great later album.

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