Peavey introduces the Composer Parlor Acoustic guitar

So the old stuff is getting used again… oh yeah I think that is what people call vintage these days. Do you remember the Parlor guitars? Those guitars used around 1895 until the 1950s? Yeah, those smaller-bodied guitars used by many blues and folk guitarists… now you know what I am talking about! Well, you know the brand Peavey right? They have introduced a really cool new series for their catalogue, the Composer Parlor Acoustic guitars – not the most aesthetically looking guitars for some, but who cares about the look if the sound is alright?

If you are a blues or folk guy or gal you will love these guitars unless you have a Gibson Gretsch or Stella parlor from 1920s in pristine condition.

Peavey designed and made the Composer Parlor series “for guitarists who want the tone and craftsmanship of a full-sized guitar with the comfort and playability of a Parlor guitar.”

The Peavey Composer is designed to a 24 ¾” parlor scale with amenities that guitarists of all stripes will appreciate. With a spruce laminate top and offset sound hole, the Composer produces a surprising amount of volume for its size, as well as clear, full-bodied acoustic tone and the natural playing comfort of a satin finish. A wide body cutaway scoop to the fifteenth fret provides access to the upper registers of the instrument.

What are the features?

  • Parlor style guitar
  • Spruce top
  • Rosewood bridge
  • Rosewood fingerboard
  • Eastern mahogany neck
  • 14 degree angled headstock
  • 24.75″ scale
  • 18 frets
  • Dovetail neck joint
  • Natural or Sunburst finishes
  • Weight packed: 6.61 lb (3kg)
  • Width packed: 14.175″ (36.0045 cm)
  • Height packed: 38.975″ (98.9965 cm)
  • Depth packed: 5.71″ (14.5034 cm)

The Composer Parlor comes in two different flavors; a Natural wood finish and a Sunburst finish, which is not that bad, I kind of like it and they are under the $200 price range! So yeah, very cheap yet high sound and building quality. Again, who cares about the look?

Check out this video from nepugo90 Youtube user using his Peavey Parlor guitar, fascinating, it makes want one!

 Peavey Composer Parlor

Luis Tovar

The Bright Side of Guitar History

inspiration david gilmour 243x300 David Gilmour
Who doesn’t know David Gilmour? Very well known for being Pink Floyd frontman since 1968 and of course a Rock icon, great guitarist with a very peculiar voice.

Gilmour has one of those styles that can be recognized from miles away and of course, has never and will never be surpassed.

I haven’t met anyone who doesn’t like Gilmour’s style and I want to keep it this way as I consider myself a huge fan, I’ve loved Pink Floyd since I was a kid, thanks to my mum for introducing them to me; and I also having Gilmour’s solo albums – On an Island is amazing!

So what’s Gilmour’s magic forumla?

Emotion and Good gear = David Gilmour.

Gilmour’s guitar playing style is very strong, it’s the fusion of two big things that not many guitarists can achieve in a lifetime: emotion and perfect sound production. You can also tell the blues influence he has on his solos combined with hugely expressive bends and lots of sustain, how could he go wrong with that formula? Play all that on a Fender Strat and you get the purest perfection that only Gilmour can create!

Gilmour was rated the 14th greatest guitarist by Rolling Stone. In January 2007, Guitar World readers voted Gilmour’s solos in, “Comfortably Numb”, “Time” and “Money” into the top 100 Greatest Guitar Solos (4th,21st and 62nd respectively). – “100 Greatest Guitar Solos: 51–100″. Guitar World. Retrieved 9 August 2010.

If you consider yourself one more fan among the millions worldwide, you should visit Gilmourish.com to find out all about his gear, although reading all the gear that Gilmour has used in his life is like a history class it itself, but well worth it.

It is very hard to pick a song from Pink Floyd or Gilmour. You are probably expecting me to show you “Comfortably Numb” or “Money” which have epic guitar solos, but no! I want you to check out this great and different version of “Shine on you crazy diamond” where Gilmour is playing a Lap guitar at the beginning. It is an amazing performance not only by him but the entire band, check it out:

PS. If you feel like adding a couple of records to your collection, get “On an Island” or the “Live in Gdansk” DVD.
PSPS. Get gilmourish!

 David Gilmour

Luis Tovar

Improvisation is that magic moment when you can transmit what you feel or think through your musical instrument. Improvisation is a moment of conversation between you and other musicians, it is free style, there aren’t any rules or patterns to follow – it is all about going with the flow of your feelings and expressing them through your guitar.

We have received many emails asking about how to improvise. First I have to say that improvisation is not an easy thing when you do not have the right weapons, that being basic knowledge of music theory the most essential element for a successful improvisation; call it knowing scales, major and minor chords, sixth chords, pentatonic scales, etc. The more theory and knowledge you have the easier everything will be, so in a few words, for being able to improvise you need to study a lot to get to a point where you feel really comfortable playing your guitar.

Wouldn’t it be great if you can go to a Jam session in a pub near you, grab a guitar and jam along with other musicians? That is all about improvisation, so yeah it is a challenge, a big one but once you get it you will feel so good… jammin and improvising are probably some of the most rewarding moments of music.

So if you think you would like to give it a go to improvise on something, a great thing to do would be to use some backing tracks or get a CD of drumbeats. If you have the Jamorama course, you can start improvising with the Jam Tracks we provide you, they are great to start with as you will know all the chords used and this will make it easier.

Now, the secret question, what to improvise? The answer is also secret, how are you feeling today? Emotions are always a great start for improvising and they will be reflected on what you are playing.

Another thing that is totally related with the knowledge of music, is being able to identify different rhythms. Identifying the rhythm will help you to get involved in the music piece easily. So keep in mind that knowing music styles will help you a lot to know what to play – is it a funk song, latin, rock, metal, blues, etc.

Mixing ideas from different songs are always a hit! Are you improvising with chords that are the same to another popular song you know? Well, mix that lick into the improvisation. If you are playing in front of a crowd, they will love to hear something they know played in a different version or beat.

Some very important things to keep in mind:

  1. Make sure what you play sounds good for the piece you are playing. It is good to incorporate different styles of music when improvising but please make sure it fits with whatever the rest of the musicians are playing.
  2. Use your emotions. Try not to think too much about what to play, simply et the feelings do the job.
  3. Do not stop. Did you hit the wrong note or string, don’t worry. Do it again and everyone will think it was intentional. Remember that any dud note is only one fret away from being a good one. Move up or down one fret to resolve the tension you’ve just created.
  4. Learn some basic licks or patterns to play. It could happen that nothing flows when it comes to improvise, so always have something to play. Create some cool sounding patterns or licks when practicing at home and take them with you all the time, this will be your arsenal or tool-box of tricks.
  5. Simplicity is good. Speed doesn’t mean anything, shredding is not what is all about, unless you are only playing speed metal or something like that but most of the time a smooth and slow lick expresses much much more than thousands of notes per second.
  6. Have fun. People love watching musicians having fun doing their thing. Relax and put that nervous energy into your playing.

I really hope some of these tips are good help to get you improvising. Let me know how are you getting on with that and what is causing you more trouble.

To help get you in an improvisational mood, here are some quotable quotes:

Improvisation: The art of thinking and performing music simultaneously. – Grove Dictionary of Music (1954)
Learn everything, then forget it all. – Charlie Parker
“Music is your own experience, your thoughts, your wisdom. If you don’t live it, it won’t come out of your horn(guitar).” – Charlie Parker
Don’t play what’s there, play what’s not there. – Miles Davis
I’ll play it first and tell you what it’s called later. – Miles Davis
The idea of a mistake is beside the point, for once anything happens it authentically is. – John Cage

If you hit a wrong note, then make it right by what you play afterwards. – Joe Pass

Good luck with your improvisation and remember, HAVE FUN!!!

 how to improvise

Luis Tovar

inspiracion luis salinas 150x150 Luis Salinas, Magic Fusion!Last week I introduced you to Rod and Gab, those innovative, guitar explorers doing great stuff. Now, I want to introduce you to another Latin American guitarist, Luis Salinas from Argentina.

He is of course very well known on that side of the World, but he has also been doing his thing on stages in Europe and the U.S. He is an amazing guitarist – very jazz influenced with his natural latin flavour, plus a very clean and brilliant technique, they call him “the master of improvisation”.

If you are wondering what type of music he plays, in a word it would be Fusion. He got pushed by his father and stepfather to play the guitar; they were both musicians with different styles, that is why Luis was very influenced by all sorts of music, and the best thing is that he can play anything. He is basically a self-taught guitarist, and you won’t believe this, he bought his first guitar when he was 27 and he has being musically active since 1994.

He has a very extensive discography and of course a big shelf at home with 5 great prizes from the Argentinian music Industry winning “best jazz albums”.

I think Luis Salinas is a guitarist you have to give it a go, check out this track called “Latin Bebop” from his “Solo guitarra” album, it is almost 3 minutes of pure guitar beauty, well executed with great harmonies, nice melodies and some bossa nova influenced rhythm:

And you should also check his live performance of “Funky Tango” with a full band:

 Luis Salinas, Magic Fusion!

Luis Tovar

On Sunday evening while surfing my favorite website I found a 2:00 minutes jewel; a really cool, inspiring and beautiful video from “pickingpete” Youtube user playing his Washburn Resonator guitar – I was really impressed by the sound of this guitar.

Washburn has always been around me, many guitarists I have played with, specially the ones who I started playing music with (a good number of years ago) were into Washburn guitars, not only for the build quality but for the many options in sound and price.

So I went to dig more into this New Washburn resonator series simply because I really want to get one for myself and here is what I found:

Washburn introduced the Resonator guitars last year within their Bluegrass guitar series. They introduced two different models, acoustic and acoustic-electric. If you listen to these guitars you will hear and see a great quality instrument which actually delivers the real feel and sound of a classic resonator guitar.

These guitars of course are perfect for blues and bluegrass styles, all Washburn resonators feature a spider-bridge and a single cone resonator design. The acoustic-electric models feature single coil pickups for bell like clarity and biting yet never brittle tone.

The R15S and R15R are the two acoustic models which features a Mahogany top, back, side and also neck, 19 frets and Rosewood fingerboard. The sound holes are in F.

On the acoustic-electric resonators they have the R15RC and R45RCE, with F soundhole, 20 frets a single coil neck pickup with 1 volume and 1 tone control.The R15RC has a Mahogany top, back and sides while the R45RCE has a flame maple top, back and sides.

From what I hear and see about this guitar, it seems to me that it’s top notch all the way!

I have done some research on ebay and amazon and these guitars are selling from $399.00 to $500.00 depending on which model you are after – brand new! So they are a must get if you are into the bluegrass and blues classic sound. I am pretty sure that once you hear it, you will want it!

Check it out:

You should also visit Washburn.com for more information.

 Washburn new Resonator series

Luis Tovar